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...hand somely packaged at $52.40); Bach and Handel Arias (London), sung by Contralto Kathleen Ferrier with the London Philharmonic, conducted by Sir Adrian Boult; Ravel's Daphnis et Chloé-Complete Ballet (London), with the Orchestre de la Suisse Romande and the Geneva Motet Choir conducted by Ernest Ansermet...

Author: /time Magazine | Title: Music: New Records, Apr. 13, 1953 | 4/13/1953 | See Source »

...also, if he chooses, go to hear European artists who might never have crossed the Atlantic except for their record successes. London Records takes credit for popularizing Singers Kathleen Ferrier, Hilde Gueden, Irmgard Seefried, Paul Schoeffler; Pianists Clifford Curzon, Friedrich Gulda; Conductor Ernest Ansermet. Cloe Elmo, Ferruccio Tagliavini, Italo Tajo and Cesare Siepi were introduced to U.S. collectors by Cetra-Soria records before they were hired by the Metropolitan Opera...

Author: /time Magazine | Title: Music: Off the Record | 9/15/1952 | See Source »

Debussy: Pelléas and Melisande (Suzanne Danco, Pierre Mollet, Heinz Rehfuss; L'Orchestre de la Suisse Romande conducted by Ernest Ansermet; London, eight sides LP). Maeterlinck's fairy tale floating along the stream of Debussy's consciousness. The voices of the principals are all excellent and so is their French diction; Ansermet's subtle direction could scarcely be bettered...

Author: /time Magazine | Title: Music: New Records, Aug. 25, 1952 | 8/25/1952 | See Source »

Last week before a Paris audience Frank Martin placed a major work: his new, half-hour-long Violin Concerto. Swiss Conductor Ernest Ansermet and Hungarian-born Violinist Joseph Szigeti made it a labor of love, took five curtain calls. Martin rose twice from his box seat, bowed shyly. Said Szigeti: "A truly-extraordinary concerto . . . It is caressingly sweet and yet it avoids all grandiloquence." Said Conductor Ansermet: "A great work...

Author: /time Magazine | Title: Music: Composer's Corner | 5/26/1952 | See Source »

With a grimace of rage and a wave of his hand, Ansermet restored order, and the noisy fourth movement began. As the soloist had only a bar or two to play during the whole movement, Primrose stood idle, making a picture much like the one of Attorney-General McGrath published in last week's issue of Life...

Author: By Samuel B. Potter, | Title: Cabbages and Kings | 1/14/1952 | See Source »

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