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Word: answering (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Bell explained that the Soc Rel Department has not set a deadline for his reply. But Bell said that he expects to have an answer by the end of March...

Author: NO WRITER ATTRIBUTED | Title: Daniel Bell Might Accept Soc Rel Post at Harvard | 3/22/1969 | See Source »

...interview yesterday, Bell called the Times article "somewhat premature." He said that he has an invitation from the Social Relations department, but has not yet given a formal answer...

Author: NO WRITER ATTRIBUTED | Title: Daniel Bell Might Accept Soc Rel Post at Harvard | 3/22/1969 | See Source »

...irrepressible performer, a one-man version of a Hasty Pudding show. The jokes are bad in a great, extravagant way. (One prisoner, dressed as Portia for a Christmas pageant, lamely explains away the gown he is wearing with, "It's from The Merchant of Venice." Queenie's answer: "Well, take it back then." All right, so you had to have been there.) The point is, if you're expecting merely refined sarcasm, this ain't The Boys in the Band. As this play leeringly defines itself, "it has something to do with the backside of decency...

Author: By Gregg J. Kilday, | Title: Fortune and Men's Eyes | 3/22/1969 | See Source »

...oldest mysteries: the existence of evil in a world supposedly created by a good God. In his pessimistic view, man was himself the culprit, woefully evil because his soul was imprisoned in an utterly fallen body, incapable of good unless drawn to it by the grace of Christ. In answer to the British monk Pelagius, who preached that man could save himself by good works without the initial prodding of grace, Augustine hurled his reply: Humanity had inherited the curse of Adam's sin. Without the grace of Christ's redemption, men were damned...

Author: /time Magazine | Title: Theology: The Sin of Everyman | 3/21/1969 | See Source »

Died. Ben Shahn, 70, U.S. portraitist, poster maker, muralist and artistic polemicist; of a heart attack; in Manhattan. "Is there nothing to weep, about in this world any more?" the shaggy-bearded artist once asked. For him, the answer was always yes. Son of a Russian-born immigrant, Shahn was raised in a Brooklyn slum, and his proletarian vision was forged in the class-consciousness of the Depression. He employed elements of both Cubism and Surrealism in his own spare variant of social realism. In 1932 he won fame portraying the trial and execution of Sacco and Vanzetti. Thereafter...

Author: /time Magazine | Title: Milestones: Mar. 21, 1969 | 3/21/1969 | See Source »

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