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...Palin is how closely it matches Real Sarah Palin. Not physically or in her accent--glasses, wardrobe and a few viewings of Fargo could have taken care of those. It's the extent to which Fey uses Palin's words. Spoofing Palin's Katie Couric interview, she began an answer on the credit bailout with Palin's actual meandering phrases--vaguely connecting the crisis, health care and canned-sounding bits on "job creation"--before taking her own detour into the frozen tundra of incomprehensibility. But what was fact, and what was invention? Unless you went back to the original video...
...what's a Real Sarah Palin to do? First, she has sensibly laughed it off. If she had lumped Fey in with the evil media "filter" persecuting her by asking follow-ups and expecting her to answer debate questions, she would be Dan Quayle jousting with Murphy Brown. She may even go on SNL, perhaps by the time you read this...
This question is often asked in a whisper. Why? Because so many people believe the answer is an ugly one: bias, prejudice, racism--take your pick. Some attribute it to something less distasteful: Obama's unfamiliarity, his "exotic" background, his comparatively recent emergence on the political stage. The doubters--they would call themselves realists--often assert that these are just euphemisms for prejudice, a way of camouflaging what lies beneath...
...root of this issue. In our special report on race and in our annual America by the Numbers franchise, we look at the role race is playing. No one can say for certain what is in people's hearts. But what we found is a very American answer: people are pragmatic and seem willing to evaluate the candidates on the merits of their character and ideas. And, yes, Obama is still unfamiliar to plenty of voters--but what we also discovered is that anxieties about the economy are trumping anxieties that some people have about Barack Obama...
Dutifully, they lined up to Enlist in Liberal Hollywood's answer to the war on terrorism, and one by one, last year's political movies were mowed down by audience indifference. Oscar-winning actors could not lure moviegoers to see Lions for Lambs, In the Valley of Elah or Rendition; viewers figured the films were a cross between a harangue and homework. Not many more people came when producers tried crossbreeding hot-spot intrigue with familiar genres. The Kingdom, a Jamie Foxx action picture set in Saudi Arabia, and Charlie Wilson's War, with Tom Hanks in an upbeat comedy...