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...Center? Was that doughty cultural impresario succumbing to the nostalgia craze reviving the 1920s stunts in which competing couples danced away the night-and the day, and sometimes the night again? Not quite. The City Center American Dance Marathon '72, which ended last week at Manhattan's ANTA Theater, was devoted more to the delights of diversity than to endurance. Over a period of six weeks, 20 of the most ruggedly individual dance companies in the U.S. matched style and idea in stalwart succession...

Author: /time Magazine | Title: Dance: Delights of Diversity | 11/20/1972 | See Source »

Last week Mitchell's new company gave its more or less official New York debut at Broadway's ANTA Theater. It was not so much a debut as a revelation. Traditionally, black American dance students have been consistently steered away from classical ballet and toward the supposedly more "suitable" fields of modern, ethnic or Broadway-chorus dancing. The Harlem Dance Theater performances showed beyond doubt that the practice was based not on rhyme but on prejudiced unreason...

Author: /time Magazine | Title: Music: Doing the Thing You Do Best | 3/22/1971 | See Source »

...first time I'd ever taken off in a kitchen chair," she laughed. The nine tons of donated supplies included blankets, roofing, tools and even a custom-tailored dinner jacket. Some of these she saw already piled along the dirt airstrip when she landed at the town of Anta...

Author: /time Magazine | Title: Nation: Bidding To Help the Peruvians | 7/13/1970 | See Source »

...section of the stage at the arena-styled ANTA Washington Square Theater has been tilted up so that the playing area resembles a giant record turntable, and since the actors burst into song every few minutes, it sometimes seems as if an invisible disk jockey were directing the play. The best tune, The Impossible Dream, could be transferred intact to Skyscraper, which suggests the show's basic defect. It ought to be 31 centuries distant from Broadway instead of merely 40 blocks away...

Author: /time Magazine | Title: Theater: Quixote by Quixote | 12/3/1965 | See Source »

...want to tax your brain, then go to The Owl and the Pussycat (at the ANTA Theatre). This two-person comedy by Bill Manhoff is a chain of spats and reunions between an evicted prostitute and the would-be writer she descends upon. It has its share of clever lines; but the show's great virtue is the transcendentally brilliant performance by young Diana Sands. Hitherto mainly admired for her power in serious drama, she shows here that comedy is just as much her forte. Or, in this case, fortissimo--for she bulldozes her way right through the show with...

Author: By Caldwell Titcome, | Title: What's Good on the New York Stage? | 12/16/1964 | See Source »

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