Word: antal
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Dates: during 1940-1949
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...musicians come from east Texas), young (average age: 30) and very enthusiastic over its new conductor. Though there is an impressive "Founded in 1901" at the top of its programs, the present orchestra is really only five years old: in 1945, after a wartime hiatus, Hungarian-born Antal Dorati (now conductor of the Minneapolis Symphony) reorganized it and made it for the first time a competent, nationally respected organization. Hendl has continued Dorati's tradition of introducing new works. With Rudolf Firkusny at the piano last month, he conducted the orchestra in the world premiere of Bohuslav Martinu...
Prokofiev: Concerto No. 3 (William Kapell, pianist, with the Dallas Symphony Orchestra, Antal Dorati conducting; Victor, 6 sides, 45 r.p.m.). One of Prokofiev's earlier and better works; powerful and percussive, it is just right for hammer-handed young (27) Pianist Kapell. Recording: excellent...
...frail, white-haired Composer Bela Bartok before his death in 1945 was to complete a viola concerto for William Primrose. In the University of Minnesota's Northrop Memorial Auditorium last week, a near-capacity crowd brought Violist Primrose back onstage six times with thunderous applause. With Conductor Antal Dorati's Minneapolis Symphony Orchestra, he had given the first public performance of Bartok's tragic, lyrical swan song...
Almost as soon as Guest Conductor Antal Dorati signaled for the first crashing ta-ta-ta-dah (from Beethoven's Symphony No. 5), then some muted lullaby music, the musicians began to look like small boys getting into a new game that was going to be fun. Most of the instruments got their chance to shine. Boomed the narrator, Nelson Olmsted: "First I invented the flute [deep blue solo]. Next, the oboe [etc.] . . . But that wasn't all I needed. I had to have -Sharps and flats and pizzicato, Molto Lento and staccato, Treble clef, ritard, repeat, Allegro...
Ever since handsome young Hungarian-born Conductor Antal Dorati went to Dallas four years ago, he has labored to make his new countrymen conscious of one of his old: the late great Hungarian composer Bela Bartok. Season after season he pounded Bartok at Dallas-and Dallas music lovers had almost adopted Bartok as their own. Dorati would be leaving (to take Dimitri Mitropoulos' podium in Minneapolis next season-), but he had promised himself to do something that people would remember-and connect with the Dallas Symphony. He succeeded. On NBC's Orchestras of the Nation broadcast last week...