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When something goes wrong with rehearsals of the Dallas Symphony Orchestra, Conductor Antal Dorati doesn't take it out on the musicians. Instead, he is apt to tell them: "We'll take a five-minute break while I go give myself hell." He goes into his dressing room, kicks things around for a while, then comes back glowing. The treatment seems to be as efficacious for his musicians...

Author: /time Magazine | Title: Music: Texan from Hungary | 8/2/1948 | See Source »

...Door. In his 42 years, Antal Dorati has faced many a crisis and weathered them all. After he graduated from the Budapest Conservatory, where he worked under both Bartók and Kodály (TIME, July 19), he began to conduct in provincial German towns in his early 20s. Once, when he assured the doorman at Miinster's opera house that he was its new director, the doorman laughed in the boy's face, refused to let him in until a city official arrived to identify him. His next big job-and the one that eventually brought...

Author: /time Magazine | Title: Music: Texan from Hungary | 8/2/1948 | See Source »

Copland: Rodeo, and Waltz from Billy the Kid (Dallas Symphony Orchestra, Antal Dorati conducting; Victor, 6 sides). Five dances from the popular ballets; much of it is derivative, but also bright and fetching. Performance: good. Recording: good...

Author: /time Magazine | Title: Music: New Records, Aug. 2, 1948 | 8/2/1948 | See Source »

Died. Count Antal Sigray, 68, longtime campaigner for the restoration of the Habsburg monarchy, wartime concentration camp prisoner of the Nazis; of a heart ailment; in Manhattan. Jailed briefly in 1921 after a Graustarkian attempt to restore Emperor Charles to the throne, the count preserved the opera bouffe flavor of the episode by challenging government leaders who had "slandered" him while he was in prison (no one accepted the challenge...

Author: /time Magazine | Title: Milestones, Jan. 5, 1948 | 1/5/1948 | See Source »

Bartók: Concerto for Violin & Orchestra (Yehudi Menuhin, with the Dallas Symphony Orchestra, Antal Dorati conducting; Victor, 10 sides). Further proof that Bela Bartók, despite a fearsome reputation for arid dissonance, was actually writing fresh and melodic works in his last years. Even with passages that seem to be fiddling for fiddling's sake, Bartók's lone major work for violin should add to his tardy fame. Recording: excellent...

Author: /time Magazine | Title: Music: New Records, Jun. 16, 1947 | 6/16/1947 | See Source »

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