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...almost completely ignore Antal Dorati-the genius who made the National Symphony worthy of a Rostropovich; who worked similar miracles with the London, Stockholm, BBC and Minneapolis symphonies; who has-almost sin-glehanded-created a Haydn revival; and who has championed the works of countless contemporary composers...

Author: /time Magazine | Title: Letters, Nov. 14, 1977 | 11/14/1977 | See Source »

...idea for the festival came from Antal Dorati, music director of the National Symphony and, among other things, conductor of a mammoth LP set of all 104 symphonies on London Records (46 records in all). Why a festival? How else, asks Dorati, to show the enormous range of the man and his music? He adds: "He was no child prodigy. He developed so much, from enormous talent into great genius. I do not think it can be coincidence that his greatest work came after he shed his livery." That was of course after he was given free rein...

Author: /time Magazine | Title: Music: Papa the Revolutionary | 10/6/1975 | See Source »

Haydn: Symphonies Nos. 93-104 -"London Symphonies", Vol. 9 (Philharmonia Hungarica; Antal Dorati, conductor; London/Stereo Treasury; 6 LPs; $20.94). Dorati herewith completes his collection of all the Haydn symphonies, one of the most successful and rewarding projects in the history of recording. Along the way, Dorati has offered many a joy. Among them are the zestful accounts of Symphonies Nos. 36-48 (Vol. 6), notably including the somber "Trauer" (No. 44), the amusing "Farewell" (No. 45) and the radiant "Maria Theresia " (No. 48), a rich collection of middle-period Haydn. He has also offered an "appendix" album, with alternate Haydn...

Author: /time Magazine | Title: Music: Classical Records: Pick of the Pack | 6/23/1975 | See Source »

HAYDN: SYMPHONIES NOs. 49 TO 56 (London Stereo Treasury, 4 LPs). A choice sampling of the rich little-known "middle-period" symphonies, stylishly conducted by Antal Dorati...

Author: /time Magazine | Title: Music: The Year's Best LPs | 1/1/1973 | See Source »

With President Nixon in attendance, Conductor Antal Dorati and the National Symphony Orchestra went through a program of Beethoven, Mozart, Stravinsky and William Schuman that filled the center's concert hall with rich, vibrant and joyously reverberant highs, lows and middles. The opera house's acoustical turn came on Friday, with the premiere of Beatrix Cenci by Argentinian Master Alberto Ginastera. It was produced by the Opera Society of Washington. Brutal and bloody, the work runs a full gamut of orchestral and vocal sound. It proved beyond doubt that the opera house is one of the best-sounding...

Author: /time Magazine | Title: Music: A Mass for Everyone, Maybe | 9/20/1971 | See Source »

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