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...first play, Tennessee, by Romulus Linney, a frontier family arrives at its recently-acquired shack ("We're here, ain't we?") and the father, a weatherbeaten, Abe Lincolnish icon of American spirit, makes long, slow speeches about how he "growed up crawlin' on a dirt floor like a goddamned ant" and now that the war's over he's gonna harness these here fifty acres; his wife stands awkwardly on the porch and pulls at her shawl (for the entire play, in fact); and his well-rouged son chimes in about cutting the brush over yonder. Then a badly made...

Author: By David B. Edelstein, | Title: Cowardly Trilogy | 12/2/1981 | See Source »

...with the five-year waiting list for a room of one's own, and couples sometimes stolidly enduring their marriages because there is no other apartment (no other bed, even) to escape to. It is not like the arrangements in dense Hong Kong, as busily transient as an ant colony, or Tokyo, where much middle-class housing looks like the crew's quarters on a submarine...

Author: /time Magazine | Title: Essay: Downsizing an American Dream | 10/5/1981 | See Source »

...population have self-fulfillment as their principal life goal. Slightly more (20%) still cling to traditional values of hard work, family loyalty and sacrifice. The majority (63%) embrace some traditional values but also espouse views that would have been heretical only a generation ago. They are toler ant about abortion, premarital sex, remaining single, and not having children; they are skeptical about the importance of work, feeling that it does not have to be at the center of their lives...

Author: /time Magazine | Title: Aftershocks of the Me Decade | 8/3/1981 | See Source »

...aunt, Mona Washbourne has only to loosen her hair and widen her eyes to be transformed from a bustling peas ant into a feeble dotard, nodding off after lunch. Glenda Jackson has specialized in self-absorbed eccentrics, but, as Stevie, she makes the familiar lilts and snappings sound new. Through the subtlest shadings of this fiercely independent soul, Jackson gradually recedes from the viewer's awareness, and the gentle Stevie takes over. The film's movement toward American release has been even more gradual; it was made in 1978. Now Stevie is here, not drowning but sailing with...

Author: /time Magazine | Title: Not Drowning | 8/3/1981 | See Source »

...suck live," said Nick Lowe, when asked for comment about Rockpile's recent break-up. This self-effacing humor makes these bands sound so fresh, but also limits the market for them in this country. Where Adam and the Ants, a group that dons warpaint and drone on and on about "Ant-people" have become instant stars, the faceless three-minute ditty men, covering classic pop songs and penning their own to match, are buried forever...

Author: By David M. Handelman, | Title: Snap, Crackle Pop Rock | 5/22/1981 | See Source »

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