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...their early poets, but he was also a journalist, self-taught naturalist and morphine addict. Such fame as he enjoyed outside Africa came mainly from the scandal caused when famous Belgian Writer Maurice Maeterlinck stole a lengthy excerpt of Marais's Afrikaans text. The Soul of the White Ant, and published it under his own name. Marais shot himself in 1936. Shortly after, his complete study of white ants, i.e., termites, and a slim, chatty book of reminiscences about baboons were published in Europe. Marais had studied baboons in the Transvaal for three years just after the Boer...

Author: /time Magazine | Title: Books: All in the Family | 9/26/1969 | See Source »

...something like glassblowing or astronomy, and the inevitable circuit-riding horde of authors promoting books or public figures pushing causes. Garroway calls it the "desk and sofa concept," and he certainly should know. Yet his taste, often waggish, brings in such atypical guests as the proprietor of an ant colony, the mother of 23 children, a pewtersmith, a psychiatrist discussing transvestites and an 88-year-old barbell buff...

Author: /time Magazine | Title: Comebacks: Peace, Old Tiger | 7/18/1969 | See Source »

...splendor of the past; of a heart at tack; in Montagnana, Italy. "I belonged," he once wrote, "to the prewar era, a proud citizen of the great free world of 1914, in which comity prevailed." Not for him the modern age, in which "the sabre-toothed tiger and the ant are our paragons, and the butterfly is condemned for its wings, which are uneconomic." In his brilliantly styled poems, essays, novels (Before the Bombardment, 1926; The Man Who Lost Himself, 1929; Miracle on Sinai, 1933) and his monumental five-volume autobiography (Left Hand, Right Hand!), he re-created...

Author: /time Magazine | Title: Milestones: May 16, 1969 | 5/16/1969 | See Source »

Seeking to translate this symbolic imagery into clearer, simpler compositions, Smith developed his "line drawing" sculptures, made from strips of steel welded together into flat, picture-like compositions. His masterpiece in this genre is Australia (1951), a 9-ft.-wide, predatory sort of flying queen ant that stands on a pedestal, as much signpost as symbol. Australia occupies a niche of its own at the Guggenheim, for it marks the end of Smith's apprenticeship to foreign styles and his emergence as an innovator with followers of his own. Thereafter, his works became increasingly abstract, although to the last...

Author: /time Magazine | Title: Sculpture: Totems of a Titan | 4/11/1969 | See Source »

Morevoer, particular circumstances in the country at this time make the Ad Board judgment appear in a large and sinister light. Repression of dissent is now national policy by virtue of the "ant-riot" provisions in Public Laws 90-550, 90-557, and Sec. 504 of Public Law 90-575. Is Harvard in any way to grant support for such dangerous policy? There seems at the moment every reason to believe that in issues far greater in scope and significance than the one at hand, Harvard's administration and faculty will act not only to support, but to further such...

Author: NO WRITER ATTRIBUTED | Title: ROTC PUNISHMENT FOR GRAD STUDENTS | 1/29/1969 | See Source »

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