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Isaac Goodfriend, the ebullient cantor of an Atlanta synagogue and singer of the National Anthem at Carter's Inauguration, also returned without bitterness. Hidden by Polish farmers, Goodfriend came back 35 years later to the house of his saviors with presents and memories. The family reciprocated-with a lunch of Polish...

Author: /time Magazine | Title: THE HOLOCAUST: Never Forget, Never Forgive | 8/20/1979 | See Source »

...Raised in Russia, Kessel flew far-flung missions for the French air force during World War I, experience he later evoked in his war and adventure tales. During World War II, he took a dangerous part in the French Resistance and he wrote lyrics for the movement's anthem, Chant des Partisans. Three of his best-known novels became movies: The Lion, The Horsemen, and Belle de Jour, filmed by Luis...

Author: /time Magazine | Title: Milestones, Aug. 6, 1979 | 8/6/1979 | See Source »

...woman with fierce ginger hair punching out tunes on a ravaged piano. Over the chatter, the president of the third largest union in the U.S. clutches a microphone and, in a gravelly voice, leads the house in a rendering of Solidarity Forever. Douglas Fraser has been singing this union anthem for almost half a century now, his own career paralleling the rise of the U.A.W. He is the last of a generation of labor leaders bred in the rich liberal traditions of American trade unionism...

Author: /time Magazine | Title: Business: Fraser Goes into High Gear | 7/23/1979 | See Source »

Reading International on Brattle St. was a haven for Karl Marx and Friedrich Engels as they wrote the famous anthem. Paperback Booksmith, which is "dedicated to the fine art of browsing," is the Bermuda Triangle of Brattle Square-people don't buy books there, they just disappear...

Author: NO WRITER ATTRIBUTED | Title: Where Elites Meet to Eat, Read and Rock and Roll | 6/25/1979 | See Source »

THERE'S STILL some good music on Wave-"Frederick," an ode to Rimbaud set to a tune suspiciously like Smith's only hit, "Because The Night;" "Dancing Barefoot," in which she sings with more precision than she has yet managed; and "Broken Flag," a sweeping anthem to her curious idea of America. But even these tracks partake of the torpor that fills the rest of the record. During her last tour, Smith padded sheepishly around the stage and did her best to play cute. The music on Wave acts identically, and neither escapes with a shred of credibility...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

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