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...ANTHOLOGY OF INVECTIVE AND ABUSE-Hugh Kingsmill-Dial ($2.50). Anthologist Kingsmill had a good idea when he thought of this book. Although perhaps the most effective invective, the most useful abuse, will never see print, a good deal has been published since Caxton started his press. Anthologist Kingsmill had a big crop to pick from; some of them were daisies...

Author: /time Magazine | Title: Books: Jobation | 2/17/1930 | See Source »

ANTHOLOGIES, notably elastic things, are usually indicative of the anthologist's turn of mind; every reader hopes that somewhere in a collection of verses, stories, plays--whatever be the subjects--he will discover the compiler's preference--some certain favorite, some especial fancy. But such an ambition is in vain as far as Professor Gay's "Riverside Book of Verse" is concerned. The entire range of the selections is even, balanced, and proportionate. From the opening "Cuckoo Song" (which also heads another well know anthology, "The Oxford Book of English Verse") to the modernism of Miss Lowell's "Lilacs" there...

Author: By R. H. S. ., | Title: THE RIVERSIDE BOOK OF VERSE 1250-1925. Compiled by Robert M. Gay. Boughton Mifflin Co., Boston, 1927. $3.00. | 5/16/1927 | See Source »

...restricted himself to the poets of England alone. One finds Robert Frost, Carl Sandburg, Eleanor Wylie, Vachel Lindsay, and others, listed with an admirable breadth of taste. On the other hand, the old favorites do not suffer from this inclusive grouping. In some six hundred pages the anthologist has managed to gather together the finest of the old and still he has found space for examples of the new. When it is realized that he has also given many excerpts from longer works--such as from Shakespeare's plays and from the Bible--the feat is seen...

Author: By R. H. S. ., | Title: THE RIVERSIDE BOOK OF VERSE 1250-1925. Compiled by Robert M. Gay. Boughton Mifflin Co., Boston, 1927. $3.00. | 5/16/1927 | See Source »

...anthologist is not a happy one", as Mr. Frank Shay assures us that it is not in his "Foreword" to the "Twenty Contemporary One Act Plays--American" he has recently edited, the lot of the reviewer of such a work is not the least bit happier. Not only does he strike the difficulty that persons seem to disagree more over the merits of a play than over those of any other from the writing, but also that of writing an adequate criticism of twenty one-act plays in less time and space than the reviewer can allow or be allowed...

Author: NO WRITER ATTRIBUTED | Title: THE CRIMSON BOOKSHELF | 5/26/1923 | See Source »

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