Word: antics
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...score, but I can't get uptight. If I worry about ruining a game today, then I might wreck one tomorrow. When a game is over, forget it." Forget it he does. Win or lose, Lyle is always the life of the Yankee locker room. His most curious antic is to plant his bare backside on any particularly gooey cakes that find their way into the locker room. It all started when he played for the Boston Red Sox and a teammate hit him in the face with a cake; when the teammate later received a cake...
...still in a close battle with the Houston Astros for first place in the Western Division. Bench, too, had personal competition from baseball's sudden wealth of gifted catchers. His closest rival for pre-eminence is Pittsburgh's Manny Sanguillen, a favorite among fans for his antic enthusiasm. The scourge of opposing pitchers, Sanguillen stands out even among the Pirates' offensive dreadnaughts. Last week he ranked third in National League batting with a .332 average. Sanguillen, like Bench, belongs to that rare species of athlete that enjoys catching. Says Pirate Coach Don Leppert: "The most important asset...
Sally's antic and readily available charms are sampled by a young Englishman called Brian Roberts (Michael York), who is in Berlin to study for a doctorate in philosophy. What he gets instead is a seminar in lowlife and a confrontation with his own repressed homosexuality. His tutor in the latter is a baron named Max (Helmut Griem), who has also passed a few nights with Sally. "Screw Max!" exclaims an exas perated Brian one day. "I do," replies Sally. "So," says Brian, "do I." This complicates matters, since Sally and Brian are in love and Sally is pregnant...
...latest sofa cutter is the distinguished, able and antic English theater director, Peter Brook. Having directed King Lear as a play, Brook has turned it into a film with the same star, Paul Scofield. The picture is never great and not always good...
...contrast, Cranko's Taming of the Shrew is a near perfection of sadness, sweetness and light. Particularly as danced by Haydée and Cragun (as Kate and Petruchio). Shakespeare's antic frolic, set to a score composed of snatches of Scarlatti music, subtly explores a remarkable range of domestic feeling from dominance to submission and finally to partnership. For Pushkin's Eugene Onegin, the fourth full-length storybook ballet that Stuttgart is offering U.S. audiences, Cranko discards the whole Tchaikovsky opera score in favor of a graceful montage that helps make the ballet a romantic matinee...