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Word: antiheroically (lookup in dictionary) (lookup stats)
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INADMISSIBLE EVIDENCE. Bill Maitland is a modern antihero, muddled by progress, maddened by the machine, and mangled by his acute awareness that he is irredeemably mediocre. With astounding authority, 28-year-old Actor Nicol Williamson draws all the caustic humor and curdling vituperation from John Osborne's words...

Author: /time Magazine | Title: Television: Feb. 4, 1966 | 2/4/1966 | See Source »

INADMISSIBLE EVIDENCE. Bill Maitland is a modern antihero, muddled by progress, maddened by the machine and mangled by his all-too-painful awareness that he is irredeemably mediocre. With astounding authority, 28-year-old Nicol Williamson nets all the screeching humor and curdling vituperation from John Osborne's whirlpool of words...

Author: /time Magazine | Title: On Broadway: Jan. 28, 1966 | 1/28/1966 | See Source »

...first, or scherzo, movement begins during the disastrous Warsaw uprising of 1944, when Polish patriots attacked their German oppressors, expecting aid from Russian forces that lay watchfully beyond the Vistula until the city was destroyed. In this film, the reluctant Reds are pretty much ignored. Munk's antihero (Edward Dziewonski) is a self-seeking womanizer who cynically boasts that he survived the occupation by "buying and selling." He shares his easy-to-bed wife (Barbara Polomska) with an enemy Hungarian officer, learns that the fleeing Hungarians will lend men and guns to help the Polish Home Army. Before...

Author: /time Magazine | Title: Cinema: Polish Variations | 1/28/1966 | See Source »

INADMISSIBLE EVIDENCE. In the dock of self-accusation, a man charges that his life has become an obscenity. In the middle years, John Osborne's antihero has lost his way but not his wittily vituperative voice, and Nicol Williamson brings this character to memorable life in the most powerful male performance Broadway has seen in more than a decade...

Author: /time Magazine | Title: Television: Jan. 14, 1966 | 1/14/1966 | See Source »

...Conerico Was Here to Stay, by Frank Gagliano, gives another squeeze to that rind of a man, the antihero. He shows the standard stigmata-conformity, terror, absence of identity, lack of responsibility and commitment-yet after he is stranded on a Manhattan subway platform, the vulnerable humanity of Mark Gordon's expressively modulated performance makes one care about him. Gagliano has a gift for capturing the acrid flavor and jagged tempo of the city's mental and physical derangements. A blind man, his white stick rattling frenetically, goes into a convulsive attack of "the crazies" as the city...

Author: /time Magazine | Title: Theater: The Trouble with Inbreeding | 3/12/1965 | See Source »

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