Word: antiheros
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Dates: during 2000-2009
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Shunpei Kim, the antihero of director Yoichi Sai's new film Blood and Bones, is one of the least endearing characters ever to grace a movie screen. Compulsively cruel, breathtakingly petty, he stalks through life in Osaka's Korean ghetto with his face locked in a snarl. He puts maggoty meat on his family's dinner table while gambling away his earnings, beats and rapes his estranged wife, and hurls his stepdaughter down a staircase. When a worker at his fish-cake factory begs for back pay, Kim responds by applying a hot coal to the man's cheek. After...
With hours to kill in Chicago, you could do worse than Ferris Bueller, actor Matthew Broderick's amiably conniving teen antihero from the 1986 comedy who played hooky and turned the town upside down. But almost two decades later, you could also do much better. Over the years the Windy City has continually reinvented itself, adding world-class tastes to its legacy of blues, comedy and 1920s-era speakeasies...
...punctuation and some conjunctions, one high school’s AP review list of allusions and terms turns into a weird poem on current events: “A dramatic monologue: a soliloquy. Subjectivity, objectivity, and euphemism. Conceit: hyperbole. Inversion and irony… the tragic flaw. Protagonist or antihero? Point of view! Epic elements, oxymoronic furies, paradoxical fates. Icarus and Daedalus, or Tantalus and Sisyphus? Or Pandora...
...gunned down in Las Vegas in 1996, packed a lot of brutality and poetry into his 25 turbulent years on earth. Lauren Lazin's zippy documentary is as close as the dead can come to writing autobiography; its narration is woven from extensive interviews given by the charismatic antihero. Like a film noir epic, this is a fable of violent men, mean motives and surly patter, told in flashback, and narrated by a dead man. This artful assembly of photos, film outtakes and TV clips is all the more fascinating for being--within the confines of show-biz mythmaking--true...
...heart of the book, dominating every page, is the narrator, MM, an intrepid Indian investigative journalist. Like his creator, MM catches top government officials deep in criminal doo-doo, dealing in drugs and arms, but the autobiography presumably ends there. Bahal pushes the concept of the antihero to the limit. MM has a voracious appetite for heavy drugs and unusual sex. The story begins with him embedded in a paratrooper brigade in the Indian army, where he figures out how to inject heroin in free fall. From that point on, he and other characters overindulge in every imaginable recreational drug...