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Word: antone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Boulez, Tchaikovsky is "abominable," Brahms "a bore," Twelve-Tone Pioneer Arnold Schoenberg an arrested post-Romantic who "discovered the words but never found the proper syntax for them." Just about the only older composers for whom Boulez has a kind word: Schoenberg's late pupil Anton Webern, and France's 49-year-old Organist-Composer Olivier Messiaen, from whom Boulez sought composition instruction after giving Paris' traditionalist Conservatoire the back of his hand ("The composition professors were imbeciles"). From Webern, Boulez derived and refined Schoenberg's twelve-tone technique to its uttermost austerity, and from Messiaen...

Author: /time Magazine | Title: Music: Sound of the Future? | 8/25/1958 | See Source »

...news of the fire reached London, the Royal Ballet's Prima Ballerina Margot Fonteyn sent her own Black Swan costume winging to Ballet Theatre's Prima Ballerina Nora Kaye. Covent Garden set 15 girls apressing a pile of old Sylphides costumes. The British Festival Ballet's Anton Dolin, a Ballet Theatre alumnus, sent whatever odds and ends he could spare. Ballet Theatre's Erik Bruhn phoned fellow Danes in Copenhagen, who rushed to pack Sylphides and Graduation Ball trappings (the vacationing director had to be run to ground for an O.K.). French Dancers Pierre Le Cote...

Author: /time Magazine | Title: Show Business: Ballet from the Ashes | 8/18/1958 | See Source »

Electronist Stockhausen started out as a comparatively conventional rebel in the Anton von Webern atonal vein but soon felt he had "dried up" and started looking for new effects. At Cologne he can get just about any effect he wants with the aid of an array of recorders and filters plus generators that may rumble, screech, thunder, and produce other items of planned flatulence. By varying the signals sent to the 20 loudspeakers spotted about the auditorium, Stockhausen can make his sounds swoosh along a wall, tinkle in a corner or explode over the head of the audience. He first...

Author: /time Magazine | Title: Music: Static on a Hot Tin Roof | 7/7/1958 | See Source »

Died. Max Graf, 84, music critic who reached fame in Emperor Franz Josef's fin-de-siècle Vienna, author of Modern Music, Composer and Critic, Legend of a Musical City; of a stroke; in Vienna. Friend and appraiser of Johannes Brahms, Anton Bruckner, Gustav Mahler and Richard Strauss aging Max Graf recoiled as the Nazis took the Vienna woods, later wrote that "it required three centuries to make Vienna a musical city; one day sufficed to destroy this historic edifice." Fleeing to the U.S., he taught at Manhattan's New School for Social Research, became...

Author: /time Magazine | Title: Milestones, Jul. 7, 1958 | 7/7/1958 | See Source »

...Here was the real thing," trumpeted the Daily Telegraph. "Great -and no perhaps about it," cried the News Chronicle. Despite preshow misgivings that Anton Chekhov's The Cherry Orchard might be axed by Lenin rather than Lopakhin, London's critics cheered last week for the famed Moscow Art Theater, in its first appearance this side of the Iron Curtain since before World...

Author: /time Magazine | Title: The Theater: Methodical Orchard | 5/26/1958 | See Source »

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