Word: antonellos
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...only in the company of her parents, was among a contingent of young women invited for a New Year's Eve party at the Sardinia villa. Last week, news arrived of a series of potentially compromising long-range photos of the inside of the villa taken by veteran photographer Antonello Zappadu, who two years ago photographed the Prime Minister surrounded by young women at Berlusconi's Sardinia estate, known as Villa Certosa...
...Garreau is experiencing the new reality of the New Economy, and he is not alone. Across the Mediterranean Sea, brothers Antonello and Gianpiero Girardi would like $250,000 to expand their tiny website concern aimed at Sardinian tourists, but they have already been turned down by 10 venture capital funds. And in London, Niko Komninos and E. David Anstee, co-founders of ihavemoved.com, sit in their offices behind Westminster Abbey and mull over how to secure $9 million in expansion money for their site, which helps people who are changing residences notify utilities and other service providers electronically. Potential investors...
...great painter to boast of, but in the five centuries since his death he had never been paid the tribute of a big, retrospective show. Last week the city of Messina (pop. 220,790) was finally making belated amends, with the first major exhibition honoring its home town master, Antonello da Messina. It was a limited display, for Antonello's known works are few. But the show did include 15 religious paintings and portraits known to be from Antonello's own hand, plus ten more pictures hopefully attributed to him, and 100 by his Sicilian contemporaries and followers...
...historians once maintained that Antonello traveled to Bruges to discover the oil painting technique developed by Jan van Eyck. More likely he learned it in Naples, from a copyist of Flemish paintings. For a year (1475-76) he taught the technique in Venice, where even the great Giovanni Bellini was eager to learn from him. What Antonello brought to Bellini (and through him, to Titian, Giorgione and Italian art in general) was nothing less than a new tool for rendering light. Having accomplished that, he returned to Messina...
...Before Antonello, the great Italian painters had worked with tempera, i.e., opaque water color. Mixed with egg white and applied to mirror-smooth panels with the points of tiny brushes, tempera has a brilliance and precision that oils can never match. But oils are far more fluent. They can be laid atop one another in transparent glazes to produce a glowing vibrancy akin to that of colors in nature. They can be blurred into shadow, and they can be broadly, loosely, quickly or gently brushed, in imitation of the flooding sparkle of light itself. Antonello preached this technique by example...