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...Union gathered in Lodz, Poland's second largest city, they were clearly not inclined to endanger those gains. Another congress in 1968 had vigorously protested the cultural repression of Gierek's predecessor, Wladyslaw Gomulka, and brought down the wrath of the regime. Jewish writers were particular targets; Antoni Slonim-ski, a patriarch of contemporary Polish literature, was denounced by Gomulka as "not a proper Pole...

Author: /time Magazine | Title: POLAND: Realistic Compromise | 2/21/1972 | See Source »

Midway through it all there is a race between an automobile and an elevated train that is sharply reminiscent of the careering car chase in Bullitt. Philip D'Antoni produced both movies, and it is obvious from the similarities in pacing and incident that he also took a hand in their direction. If he was imitating his first success with The French Connection, he has also improved upon...

Author: /time Magazine | Title: Cinema: Chasing Frog 1 | 11/1/1971 | See Source »

...travel posters. The carvings and furnishings from its marble and mosaic chapel, study and bedroom display a gaunt tension that clearly foreshadows the Jugendstil 30 years before its prime. Sketches for carved colonnades incorporate fantastic root-and-branch configurations that would have delighted Spain's art nouveau master, Antoni Gaudí. Ludwig's two other palaces both evoke the rococo splendors of Louis XIV of France. From Linderhof come tutti-frutti-colored, specially commissioned Sèvres porcelain, embroidered screens inspired by Boucher, and Ludwig's magnificent throne, a Beardsleyan Oriental divan backed by three haughty, blue...

Author: /time Magazine | Title: Exhibitions: Eclectic Eccentric | 8/2/1968 | See Source »

Cache in the Shaft. Most original ol the art-nouveau architects was Spain's Antoni Gaudi, but recognition was slow in coming. Two decades ago, Art Historian Nikolaus Pevsner, in his Pioneers of Modern Design, relegated Gaudi to two footnotes in the appendix. Eight years later, Pevsner recanted, saying, "He is the only genius produced by art-nouveau." Gaudi, who urged that "we must not imitate or reproduce Gothic but continue it," based his studies on Catalan architecture and plant forms in nature. The results, scholars now recognize, intuitively anticipated many of today's shell structures, including...

Author: /time Magazine | Title: Architecture: Return to the Purple | 5/10/1968 | See Source »

...construction that could only have been dreamed of in the 18th century. Lequeu's surrealistic designs for barns shaped like cows, and palaces with columns in the forms of deer and bears have been echoed not only in the fantastic churches designed by architects like Spain's Antoni Gaudi, but also in the animal-and coffeepot-shaped roadside stands of California...

Author: /time Magazine | Title: Art: Cloud Busters in Houston | 11/3/1967 | See Source »

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