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After reading the Art section in the March 16 issue, with the illustration of the "masterpiece" by Barcelona Abstractionist Antoni Tapies called Grey Borders, I went out quickly to my car. On the floor I found a similar "artistic gem." I had always known my treasure as the floor...

Author: /time Magazine | Title: Letters, Apr. 6, 1959 | 4/6/1959 | See Source »

Most discussed young painter of 1959 is Barcelona's Antoni Tàpies, who won the top prize at last year's Carnegie International (TIME, Dec. 15). To see what the shouting is about, Manhattanites last week were flocking to a Tàpies exhibition at the Martha Jackson Gallery. A few of those who came to praise remained to scoff, and vice versa, for Tàpies does not fit the abstract-expressionist fashion. Though fiercely independent, his art is more cool than hot, more gloomy than exuberant and more calm than wild...

Author: /time Magazine | Title: Art: The Black Prince | 3/16/1959 | See Source »

...countries. Abstractions swept nine out of ten prizes (the tenth was a semi-abstract Henry Moore) and, as the New York Times's Critic Howard Devree dourly noted, every prize "may be called in question." Due for especially earnest questioning was the $3,000 top winner in painting: Antoni Tapies' mysteriously simple grey-black and grey La Pintura (Spanish for painting...

Author: /time Magazine | Title: Art: Herds & Old Mavericks | 12/15/1958 | See Source »

...place in Soviet society, that he was a man who "in spirit has long been a traitor to his country and has now spat in its face." The satellites fell tamely into line as the literary hacks of Czechoslovakia, Bulgaria and Rumania echoed the denunciations by Soviet hacks. Only Antoni Slonimski, head of the cantankerous Polish Writers' Association, sent Pasternak a congratulatory telegram and, at week's end, was still unrepentant...

Author: /time Magazine | Title: RUSSIA: The Choice | 11/10/1958 | See Source »

Even in his native Catalonia, Antoni Gaudi, who died at 73 in 1926, was considered unique and eccentric. His weird and wonderful gatehouses, animal or vegetable apartment-house façades and phantasmal parks that out-Disney Disneyland delighted Barcelonians, even when they were surfaced for economy's sake in broken tiles, old pots and broken glass. Gaudi's greatest problem was that his designs demanded a craftsman's skill to execute and his on-the-spot presence to construct...

Author: /time Magazine | Title: Art: NEW ART NOUVEAU | 3/10/1958 | See Source »

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