Word: antonietta
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Dates: during 1960-1969
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Domenico's love is Antonietta, a girl whom he first sees at the company exams, and from whom he is separated by the precious jobs which might have brought them together. The company's vast impersonality keeps them apart, but is at least partially transcended by their glances, by their slight contact, and by the chance that they may some day truly discover one another. It is this possibility for change, for mutuality, that life extends to Domenico, which lifts his colorless routine into the realm of emprise. It is this possibility which lends animation, humor, and warmth...
Olmi has directed his first feature film with a poetic, slowly-paced delicacy that reminds one of Truffaut; he handles the fumbling love between Domenico and Antonietta with a subdued richness of feeling that characterized the most subtle moments of Chayefsky's Marty. He focuses his camera on countless specks of life which we, as well as his own characters, have hurried past. And a potent, bottled-up vitality swells from under even the most mundane street scene or conversation. Declining the easy gimmicks of wierd camera angles or background music, yet nevertheless infusing his simple story with extraordinary emotional...
...opera at Milan's La Scala last week was Verdi's Battle of Legnano, and the principals bore glittering reputations -Soprano Antonietta Stella, Tenor Franco Corelli. But as anxious to please as either of them were the two men posted on either side of the first gallery (the fifth tier). Antonio Carrara, 33, and Carmelo Alabisio, 76, can lay claim to being opera's most successful dispensers of professional applause...
...Francis Poulenc, who had been impressed by her concert performance of his songs. Although she "enjoyed a real cold petrification," the debut was a major success. On the strength of it, she was invited to return to San Francisco that year to sing Aïda in place of Antonietta Stella, bedridden with an appendectomy. She had become familiar with the role when she sang it with the Philadelphia Orchestra. A year later at Covent Garden, when Anita Cerquetti was forced to withdraw from Aïda for the same reason, Leontyne again filled in. "My career," says...
...sounded for a few raucous moments as if Mickey Mantle had popped up with the bases loaded. While the performer stood transfixed, boos, catcalls and whistles filled the warm night air. Occasion: an open-air performance of Aïda at Verona, during which Soprano Antonietta Stella committed the unpardonable sin of muffing a high C in the difficult third-act aria O patria...