Word: antonioni
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Dates: during 1960-1969
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Eclipse. In this picture, Director Michelangelo Antonioni (L'Avventura) perfects his subtle and expressive language of film, but unfortunately he employs it to say the same hopeless things he always says about the human condition...
Eclipse. In this film, Director Michelangelo Antonioni (L'Avventura) perfects his subtle and expressive language of film, but unfortunately he employs it to say the same hopeless things he always says about the human condition...
Eclipse. The trouble with modern man, says Michelangelo Antonioni in most of his movies (L'Avventura, La Notte), is that he has gained the whole world and lost his own soul; the trouble with this picture is that Antonioni in his obsessive pessimism ignores an important fact of human life: a deep shadow can be cast only by a strong light...
Eclipse. The trouble with modern man, says Michelangelo Antonioni in most of his movies (L'Avventura, La Notte), is that he has gained the whole world and lost his own soul; the trouble with this picture, though it is certainly an effort of supreme style, is that Antonioni in his obsessive pessimism ignores an important fact of human life: a deep shadow can be cast only by a strong light...
Eclipse. The trouble with modern man, says Michelangelo Antonioni in most of his movies (L'Avventura, La Notte), is that he has gained the whole world and lost his own soul; the trouble with this picture, though it is certainly an effort of supreme style, is that Antonioni in his obsessive pessimism ignores an important fact of human life: a deep shadow can be cast only by a strong light...