Word: antonioni
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...MYSTERY OF OBERWALD Directed by Michelangelo Antonioni Screenplay by Michelangelo Antonioni and Tonino Guerra...
Michelangelo Antonioni is a restless eminence. For more than 40 years he has been testing the limits of film narrative-as a young critic and documentarist, as a screenwriter in Italy's neorealist cinema, as the director of such parables of alienation as L'Avventura (1960) and Eclipse (1962). And while he expanded the viewer's understanding of the way stories can be told, he helped change the way the world is seen on film. In Red Desert (1964), he reflected the industrial and emotional decay of modern Ravenna in skies streaked like a sulfurous rainbow...
...assassinate her-for Edwige Feuillère and Jean Marais, who played it on the Paris stage in 1946 and in a film version in 1948. Tallulah Bankhead brought it to Broadway in 1947 (but without her original costar, the young Marlon Brando). Thirty years later, Monica Vitti, whom Antonioni had made a star with L 'Avventura, would call on her old mentor to collaborate on the project for RAI, the Italian television network. But Antonioni saw no challenge in restaging the play. Instead, he would shoot the production on videotape, and then transfer it to film...
...hopeful and his lady of the evening, Sally (Nancy Allen). Jack dives in and saves her, but is later warned by police and friends of the deceased politician to forget that she existed. The plot thickens-curdles, really-with hints of Chappaquiddick and Nixonian plumbers, with genuflections to Michelangelo Antonioni's Blowup and Francis Ford Coppola's The Conversation, with narrative implausibilities and internal contradictions and enough red herrings to stock a Leningrad fish market...
When a European director makes a film in English, the result is almost always disaster: Truffaut, Antonioni, Bergman, Visconti, Wertmuller have all come to grief when straying from their mother tongues. But Bertolucci, who once broke down the limits of propriety in Last Tango in Paris, has now crashed through the language barrier as well. With the crucial collaboration of Jill Clayburgh, he has made a movie in English without sacrificing any artistic integrity. Indeed, Luna may be his most controlled and personal film to date...