Search Details

Word: antonioni (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...film student, Lubitsch's work offers many lessons. His ability to frame shots is strikingly like Antonioni's, yet he never suffers from dramatic lapses. A scene by a window will be framed by the draperies, or interior shots may be bordered by a table edge or cabinet. Such concern with composition was to disappear shortly afterwards, only to be resurrected by the modern European directors...

Author: By Daniel J. Singal, | Title: Trouble in Paradise | 7/15/1965 | See Source »

Died. Robert Alexander ("Steve") Cochran, 48, Hollywood heavy (The Big Operator, The Deadly Companions), a brawny onetime shipyard worker who played movieland mobsters and occasional heroes, except for a surprising leap into Italian avant-garde as the lovesick mechanic in Antonioni's IlGrido; of pulmonary edema, aboard his 33-ft. ketch Rogue, while sailing the Pacific from Acapulco to Costa Rica with a crew of three Mexican women, who drifted helplessly for ten days after his death until they were rescued by a U.S. fishing boat off the coast of Guatemala...

Author: /time Magazine | Title: Milestones: Jul. 9, 1965 | 7/9/1965 | See Source »

...DESERT. Director Michelangelo Antonioni's first color film is a provocative, painterly essay on alienation in a young wife (Monica Vitti) whose troubles appear to be a byproduct of heavy industry in Ravenna...

Author: /time Magazine | Title: Television: Jun. 18, 1965 | 6/18/1965 | See Source »

...occupy Resnais' later work as well. In Marienbad and Muriel (1963), Resnais has continued to illustrate the thesis that you cannot remember what you ought to--for example, obligations to a former loved one. But for my money, I prefer to all of Resnais' work a film like Antonioni's L'Avventura, which makes exactly the same point without all the metaphysical mesmerism...

Author: By Randall Conrad, | Title: Hiroshima Mon Amour | 5/21/1965 | See Source »

...DESERT. Monica Vitti goes soul-searching amid the blighted landscape of industrial Ravenna as a neurotic young wife whose alienation is stunningly visualized in Director Michelangelo Antonioni's first color film...

Author: /time Magazine | Title: Television: May 21, 1965 | 5/21/1965 | See Source »

Previous | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | Next