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Word: antonioni (lookup in dictionary) (lookup stats)
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...older nemesis. "You're just like him," the woman tells the youth, "only half his age, weaker, and more stupid." And still she makes love to the boy. It is here-in the film's negativistic conclusion--that Polanski shows' his true affinities. His style is that of Antonioni, Fellini, or Truffaut; his art is emphatically free of his ethnic (or political) surroundings...

Author: By Fitzhugh S. M. mullan., | Title: Knife in the Water | 2/13/1964 | See Source »

HALLELUJAH THE HILLS. Up in Vermont, three madcap characters are put through their paces by Director Adolfas Mekas, an East Village cinemaniac who pokes fiendish fun at every moviemaker from D. W. Griffith to Antonioni...

Author: /time Magazine | Title: Television: Dec. 27, 1963 | 12/27/1963 | See Source »

HALLELUJAH THE HILLS. Up in Vermont, three madcap characters are put through their paces by Director Adolfas Mekas, an East Village cinemaniac who pokes fiendish fun at every moviemaker from D. W. Griffith to Antonioni...

Author: /time Magazine | Title: Television: Dec. 20, 1963 | 12/20/1963 | See Source »

...suddenly dissolves. At one point, while the heroes grapple in a foot of snow, the sound track plays ethnic music from equatorial Africa. And all through the film, the cinemate moviegoer will be able to detect sly little mementos of D. W. Griffith, Sergei Eisenstein, Akira Kurosawa, Michelangelo Antonioni-and Ma and Pa Kettle...

Author: /time Magazine | Title: Cinema: Where the Hell Are We? | 12/13/1963 | See Source »

...heart of the new movement is a hardy little band of inspired pioneers: Japan's Akira Kurosawa (Rashomon); Sweden's Ingmar Bergman (Wild Strawberries); France's Alain Resnais (Hiroshima, Man Amour) and Francois Truffaut (The 400 Blows); Italy's Federico Fellini (La Dolce Vita), Michelangelo Antonioni (L'Avventura) and Luchino Visconti (Rocco and His Brothers); England's Tony Richardson (Look Back in Anger); Poland's Andrzej Wajda (Kanal) and Roman Polanski (Two Men and a Wardrobe); Argentina's Leopoldo Torre Nilsson (Summerskin); India's Satyajit Ray (Father Panchali...

Author: /time Magazine | Title: Cinema: A Religion of Film | 9/20/1963 | See Source »

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