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Word: antonios (lookup in dictionary) (lookup stats)
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Usage:

...greatest disappointment here lately was Rodriguez, the Texas school-financing case. There it was proved that the Chicanos of San Antonio, because they were poor, received a very inferior school system. For as long as I've been here, religion, color and poverty have been lines that you couldn't cross and discriminate against without a grave risk to the equal-protection clause...

Author: /time Magazine | Title: The Law: A Freight Train to Optimism | 11/12/1973 | See Source »

...characters of The Rogue's Trial have an intense need for mercy. The Church, represented by a bishop, a priest, and a sacristan, is responsive only to the needs of the rich, personified by Antonio Morris (Frank Gerold) who claims to be "maintaining the ancient leisure of the nobleman." Workers John Cricket and Chico, (Tom Wright and Felipe Michael Noguera) are exploited and abused by their masters, the baker and his wife (Carlo Rizzo and Patricia Dougan), and all of the characters are robbed by bandits...

Author: By Mark D. Epstein, | Title: Ethical Rogues | 11/10/1973 | See Source »

...Antonio...

Author: /time Magazine | Title: Letters, Oct. 29, 1973 | 10/29/1973 | See Source »

...Virgin Islands has "a homicide rate higher than that of New York City," it is gratuitous and unfair to cite New York for that tragic comparison. The fact is that among the nation's major cities, Detroit, Washington, St. Louis, New Orleans, Cleveland, Baltimore, Chicago, Memphis, San Antonio, Dallas, Houston and Phila delphia all have 1973 homicide rates higher than New York...

Author: /time Magazine | Title: Letters, Sep. 24, 1973 | 9/24/1973 | See Source »

Millhouse: a White Comedy. A brace of embarrassing Richard Nixon film clips, put together by Emile de Antonio, the man who did Point of Order, the fine documentary film of the McCarthy hearings. Although the Nixon appearances are amusing and sometimes hilarious, de Antonio fails to find a toehold on the personality of this slipperiest of politicians. The film becomes nothing more than a disconnected sequence of Nixon statements, and some of Antonio's forays -- like cutting from a determined Nixon campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame...

Author: NO WRITER ATTRIBUTED | Title: the screen | 9/21/1973 | See Source »

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