Word: antonios
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...study, which will appear in the March issue of Psychological Science, was authored by Professor of Psychology Daniel M. Wegner and fourth-year graduate student Megan N. Kozak, along with Richard M. Wenzlaff of the University of Texas at San Antonio...
...earlier this year, enriched with 13 more works by Botticelli and a whole new section on Filippino Lippi. Although it's Botticelli's name that draws the crowds, the show marks the return to center stage of his best student. "This show is about the emergence of Filippino," says Antonio Paolucci, special commissioner for Florentine museums. The timing is right: it's exactly 500 years since Filippino's death. And it's only fitting that the show should take place in a palace built by Filippo Strozzi, Filippino's greatest patron. Many of those associated with the exhibition contend...
...decisions are often frustratingly irresponsible—or just asinine, as in Stern’s case—it has the right to air what it wants. The real problem is that Clear Channel dominates the American radio market—so the intolerant conservatives running the San Antonio, Texas-based company get to inflict their views on the rest of the country. Since 1996, when Congress relaxed the rules that govern media ownership, Clear Channel has gone from 30 radio stations to more than 1200. This amounts to roughly one out of every ten American stations. But more...
...Symphony Hall performance opened with two pieces by Antonio Vivaldi (1678-1741): Concerto in C major, RV #114, which was played by the Orchestra of the Age of Enlightenement alone, followed by Bartoli’s rendition of “Gelosia” from Ottone in Villa. The audience was immediately acquainted with the displays of stunning virtuosity and exacting skill that would characterize the evening’s concert...
...questa cetra” from Il Parnasi confuso which exhibited Bartoli’s sublime command of mellifluous and seamless tonal transitions and passages that hovered and drifted weightlessly through her listeners, lingering hauntingly in the air. The latter half of the concert was comprised of eleven pieces by Antonio Salieri (1750-1825) drawn from La fiera di Venezia, Armida, La secchia rapita, La finta scema, La scuola de’ gelosi, Palmira, Regina di Persia, and La cifra...