Word: apartheiders
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...widow who admitted that she didn't even like politics and might just as easily have ended up spending her days pruning her beloved bonsai. Nevertheless, in 1986 Aquino made People Power - and People Power made the world we now inhabit a freer place. "When we were struggling with apartheid," recalls retired Archbishop Desmond Tutu, the moral force of South Africa's political change, "we spoke of People Power. You had to be with the people to make change happen." At the dawn of a new century, his words may feel stunningly obvious. Yet to a planet conditioned by colonialism...
...tapped Neill Blomkamp to direct it. When that project collapsed after a few months, Jackson proposed that Blomkamp turn his science-fiction short Alive in Joburg into his first feature film. It would be set in Blomkamp's native South Africa, focus on the country's traumatic tradition of apartheid, have characters who speak in unfamiliar accents or unknown languages, boast no star power - the lead actor had never acted in a movie, and his costar is one of the digitized space creatures derisively called "prawns" - and bear a title that sounds less like an action movie than a highway...
...most of the stash anyway, while supplying the creatures with women who'll engage in interspecies prostitution. When local resentment reaches its boiling point, a private firm gets a government contract to cattle-herd the furriners to a new settlement, far from the city. To enforce this transgalactic apartheid, the head of the company calls on his naive, underachieving but very game son-in-law Wikus (Sharlto Copley...
Evicted and imprisoned, deprived of their rights, the aliens could be the Palestinians in Gaza, the detainees in Guantánamo or, transparently, black South Africans for the 46 years of apartheid and, in effect, for centuries before. (The title is a play on District Six, a vibrant mixed-race area of Cape Town that was declared whites-only in 1966, after which 60,000 of its residents were forcibly removed.) In his 2005 rough draft for District 9, the short film Alive in Joburg, Blomkamp didn't foreground the political elements. But while writing the feature script with Terri...
...seriousness is apparent yet not obtrusive. Whites seem to run the country, the corporations and the media, much as they did under apartheid, but that will hardly register with international audiences conditioned to see a parade of Caucasians in action movies. What is more likely to grab viewers is the dynamic storytelling (partly in mockumentary form), the gruesome yet sympathetic aliens, the robot suit that briefly turns Wikus into Iron Man, and the surfeit of body parts exploding. Like David Cronenberg - especially in his masterpiece, The Fly - Blomkamp is fascinated by the ways our bodies morph, decay and betray...