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Kentridge was born in 1955 in Johannesburg, the "rather desperate provincial city," as he's called it, where he still lives and works. His parents were both lawyers active in defending victims of apartheid. Their son took degrees in politics and fine arts from South African schools. For a time he tried acting. In the early '80s he studied mime and theater in Paris. But by the middle of that decade, back in Johannesburg, he had committed himself...

Author: /time Magazine | Title: Artist William Kentridge: Man of Constant Sorrow | 3/19/2009 | See Source »

...abuses by the Bush Administration, is warranted [March 2]. Despite all that is right about our country, it is painfully clear that we tend to set aside the moral and ethical breaches in our history. The Truth and Reconciliation Commission set up in South Africa in the aftermath of apartheid was designed to encourage a national catharsis of a shameful past. Most agree that the effort was worthwhile. Some would say there can be no forgiveness without repentance. The Bush-Cheney Administration was arrogant to the very end. Perhaps it is time to establish our own version of a Truth...

Author: /time Magazine | Title: Inbox | 3/5/2009 | See Source »

...possessed by the members of Harvard dance groups is not simply limited to execution.The Pan-African Dance and Music Ensemble sustained this vibrancy with choreography representative of many national cultures accompanied by skilled drumming. The dancers of the Harvard College Gumboots Troupe, which originated stylistically from the mines of apartheid South Africa, presented a more specific African heritage. Members danced in rubber boots while creating a beat of clapping, stomping, and chanting in a largely similar to spirit to the off-Broadway performing group STOMP. The show could not have closed with a more appropriate finale, which consisted of representatives...

Author: By Samantha C. Cohen, CONTRIBUTING WRITER | Title: Harvard's Got 'Rhythms' | 3/1/2009 | See Source »

...constant fixture in the Harvard multicultural dialogue. S. Allen Counter, the gregarious and garrulous head of the Harvard Foundation, is himself prone to overwrought bursts of sentiment on such occasions. Amid the infamous “Quad incident” of 2007, Dr. Counter denounced the “apartheid techniques” of the Harvard University Police, who, responding to calls, had checked the IDs of Black Student Association picnickers and allowed their field day to continue unmolested. Dr. Counter is not above retaliatory insinuations himself, either—as he once labeled his media critics...

Author: By Christopher B. Lacaria | Title: The Monopoly of Offense | 2/25/2009 | See Source »

...voices of minorities and women are still being marginalized. Fittingly, she ended her speech with two rallying cries for solidarity. The first was a Zulu cry, “Wozani!” (“People together!”), often used in the struggle to end apartheid in South Africa. The second was the traditional UFW chant: “¡Sí Se Puede!” This cry was eventually translated into “Yes, We Can!”, the slogan of President Obama’s 2008 campaign...

Author: By Raúl A. Carrillo, Miguel Garcia, and Eliana C. Murillo | Title: Yes, She Did! | 2/11/2009 | See Source »

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