Word: apartness
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Dates: during 1980-1989
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...there were one, would the crowds go? In the U.S., Braque is not a sexy painter. Americans prefer their artists to be overreachers in the short run, romantic heroes or doomed saints in the long. Braque was neither. Apart from youthful enthusiasms for boxing and fast cars, his life was completely taken up by his marriage and his art; German shrapnel in his head in World War I must have given him the respect for mortality that few artists get until middle age. Braque was a tortoise, not a hare, and his art had none of Picasso's impetuous virtuosity...
...World Apart...
...World Apart is refreshingly different because it resists, for the most part, the impulse to strike out what might be better left unsaid (although it does gloss over the Firsts' communist sympathies). Rather, it aims at realism, insofar as it doesn't omit family fights, broken friendships or even Diana's attempted suicide. And it succeeds because it is not a blanket statement about injustice and racism; it is about the lives of its characters. It is as much, if not more, about the relationship between mother and child than about the conflict between liberal journalist and apartheid-supporting police...
...World Apart ends tragically. But the ending is not a statement of futility. It is an appeal with bite, pleading that South Africa not be forgotten 25 years later, since conditions have not improved...
...World Apart...