Word: apassionato
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...majesty, Allegro Maestoso. Her performance is much more lively, almost frantic—but it is similar to Altenburg’s in that it seems as though she barely puts forth any effort at all. Lauren E. Chin ’08 ends the piece as Allegro Apassionato; this part is wistful and ardent, and Chin plays it with admirable minimalism...
Buswell immediately demonstrated his precise bow control in the Bartok. He played the opening with rough, fervent strokes but reverted to smooth, effortless attacks in the slower sections of the Allegro apassionato. Meanwhile, Levinson supplied equally sharp attacks while staying within a drier, less flamboyant idiom than Buswell...
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