Word: apatower
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...laff scuffle - a picture that isn't quite as funny as it might be, but is as funny as it needs to be. Agreeably directed by Dennis Dugan, conceived by its star, Adam Sandler, and one-third written by him (his co-conspirators are Robert Smigel and Judd Apatow), the picture bears many of the latter's trademark moves. That is to say it is simultaneously a little bit vulgar and a little bit sentimental and comes out as a virtually bullet-proof blend for the mass, summertime audience...
...comes the requisite paragraph where I say I'm not really qualified to comment on either the series or the movie because I'm (a) male and (b) straight. And yet, having both those infirmities, I also feel estranged at times from Judd Apatow films. I have the anachronistic notion that romantic comedies needn't be exclusively partial to one gender; they should be critical and loving and true to both. So I'll soldier on with my mixed, distant, defiantly ignorant review of this 142-minute trifle - which comes close to being the longest non-musical romantic comedy...
...movie continues one hallmark of the TV series: all the stars but Parker go topless. And, poaching on Apatow territory, the film matches a glimpse of a healthy penis with a view of the russet pubic moss luxuriating below Miranda's swimsuit line. But there are more male buttocks than female breasts on display here, as if to appeal to the show's other core constituency - gay men. That's fine with me, since gay screenwriters are the last ones who believe that comedy needs verbal wit, that the epigram still has a place in movies. (Though, disappointingly, there...
Even in a campaign season where presidential candidates are turning up on late-night talk shows more often than stars of Judd Apatow comedies, The Colbert Report of April 17 was a perverse milestone...
...small slightly doddering crowd that's up for small, well-written comedies like Helen Hunt's Then She Found Me, which is currently playing in a release that will remain forever limited to older people who are not afraid to visit the "art" houses Mass market comedy (unless Judd Apatow and his heart-healthy pals are involved) is pitched largely to a young crowd that apparently likes to see pretty people - especially upwardly striving ones like Diaz's character - humiliated and abused in ways that are stupefyingly familiar. I'm beginning to think that these kids represent a resentment demographic...