Word: apolloã
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...end” (a much broader statement then “they end”) that much more moving in potency. It serves to note, additionally, that Mitchell maintains some semblance of rhyme in his translations, as strong as “how” and “Apollo?? or as faint as “achieved” and “god.” Nevertheless, these pique our imaginations to the fact that these poems have a deep sonic lyrical quality embedded into them. Snow eschews rhyme, focusing on clarity and accuracy...
...end” (a much broader statement then “they end”) that much more moving in potency. It serves to note, additionally, that Mitchell maintains some semblance of rhyme in his translations, as strong as “how” and “Apollo?? or as faint as “achieved” and “god.” Nevertheless, these pique our imaginations to the fact that these poems have a deep sonic lyrical quality embedded into them. Snow eschews rhyme, focusing on clarity and accuracy...
...refer to classical images and figures, which would be maddening if not for the notes section in the back. This handy reference provides a context for these numerous mentions of otherwise inscrutable symbols. For example, Topaz—a minor figure in ancient myth who was slain by Apollo??is the title and subject of a poem.The majority of Phillips’ images tend to draw parallels between human nature and the natural world. Comparisons between natural events and human actions pervade the collection, as in “The Damned,” when Phillips compares...
...Spirit of Apollo?? sounded like the wet dream of music bloggers and Hype Machine addicts—take a sample of hip-hop and indie rock’s current royalty, sprinkle in some musical legends, add a solid production team, and put them all together on one album. Unfortunately, N.A.S.A., the DJ duo behind the album, fails to live up to the extraordinary potential of their project.Sam “Squeak E. Clean” Spiegel and Ze “DJ Zegon” Gonzales named their collaboration N.A.S.A.—which stands...
Balanchine described the narrative of his ballet “Apollo?? as “a wild, untamed youth who gains nobility through art.” Though it has been 50 years and two knee replacements since Jacques d’Amboise played the title role for the New York City Ballet, he pantomimed god’s birth and education by the muses with exuberance and grace for a Harvard audience last week. The subject of art as a mirror on the world and the transformative power of dance became the focal point...