Word: apolloã
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...with her there, but then why dissect the story of Phaeton (Matthew I. Bohrer ’10) and Apollo (Hill) with such ruthless precision? Why have Apollo??s son tell his story to a long-winded psychiatrist, who tears Phaeton’s tale to shreds with psychoanalytical terminology? If the value of myth is its magical elusiveness, why pin it down? Fables may have morals, but myths do not, and this may be a distinction that Zimmerman forgot to make...
...adding depth to an already solid performance.In the same manner as “Amour piquè par une abeille,” the last cantata “Apollon et Doris” proved accessible to a modern audience. The story of Doris, a sea nymph who resists Apollo??s advances on the grounds that he will not be faithful, could just as easily have been about two guests arguing over their relationship at a masquerade party. The cantata proved to be a particular treat because of the duet by Amy C. Stebbins...
...iconic “Apollo.” Danced in the Friday cast by Adam R. Singerman ’09, Kate O. Ahlborn ’07, Morgan P. Richardson ’09, and Molly M. Altenburg ’07, “Apollo?? respectably matched the images of Balanchine’s originally epic scope. During the variations, Altenburg’s control and graceful extensions were especially noteworthy.The excerpt from Limón’s “Suite from A Choreographic Offering” lacked emotional connection with the audience until...
...Apollo??s Perch...