Word: appalachians
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Dates: during 1960-1969
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Futz loves his pig. That isn't graffiti; it's a plot. Futz is an Appalachian farmer whose great pleasure in life is making love to a porker named Amanda. Naturally, his narrow-minded neighbors are upset. The village slut plots revenge on Farmer Futz after he invites Amanda along on a tryst. She persuades a local homicidal maniac to claim that he killed a village girl only after seeing Futz and Amanda in the throes of passion. That's grounds right there for the sheriff to grab Futz and toss him into jail, where the indignant...
...PLAYHOUSE (CBS, 9:30-11 p.m.). An original script by Earl Hamner, "Appalachian Autumn" stars Arthur Kennedy, Teresa Wright and Estelle Winwood...
...scenes to allow Wexler to use them nearly as the agents that tie together everything that he really wants to say. And he gets all the big news in there like a true news photographer creep. Kennedy's assassination, King's assassination, Tent City, the Black revolutionaries, the Appalachian ghetto, and finally the police riots in Chicago at the convention. Wexler wants his message to be not just a theortical fiction, but a fiction for a specific reality that we all know about and recognize. And his own documentary footage of Chicago Police brutality and his shots of the girl...
...Shenandoah Valley and the mountains surrounding it are tied primarily to Appalachia. The violent battle for the leadership of the United Mine Workers (UMW) last summer, the black lung disease, and all the problems of Appalachian poverty present a different set of problems for a political candidate entering the area. For years the mountain people had appeared satisfied to the politicians in Richmond, but food stamps and a sellout union are no longer acceptable to them a decade after John F. Kennedy focused attention on the area's problems in his West Virginia primary...
...reputation for himself as one of Hollywood's best cinematographers (Who's Afraid of Virginia Woolf?, The Loved One), scraped together $600,000 for this low-budget portrait of a country in conflict with itself. He chose Chicago, with its thousands of pent-up blacks and displaced Appalachian whites, as a symbolic seat of the conflict and began shooting last summer in a loose, almost documentary fashion-just as the convention confrontation was reaching a peak of frenzy. The uncomplicated plot turns on the developing love affair between a TV cameraman (Robert Forster) and an Appalachian widow (Verna...