Word: appaloosas
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Born. To Secretariat, horse racing's 1973 Triple Crown winner, whose potential as a superstud was sold to a syndicate for more than $6 million, and Leola, a 13-year-old Appaloosa mare: a male red chestnut colt, the stallion's first offspring; on a farm near Winona, Minn...
...movies he did make were sometimes indifferent (A Countess from Hong Kong, Morituri) and sometimes disastrous (Appaloosa, Bedtime Story). More and more, people began believing the stories that had long circulated of his behavior on the set: that he was a moody, intractable mumbler, a troublemaker whose whims sent budgets and blood pressures skyrocketing, a brilliant burden who dragged everything down with his sagging box office appeal. In fact, there was more and more truth to the stories. In 1962 Mutiny on the Bounty almost literally lived up to its title when Brando worked against the grain of the production...
...that, the viewer who can wade through an implausible situation, a clutch of cardboard dropouts and painful patches of dialogue will discover a film that is curiously sensitive and affecting. Screenwriter James Bridges (The Appaloosa, The Forbin Project) makes his debut here as a director; his sympathetic approach to the principal characters and an admirable sense of directorial pace eventually overcome his stereotypes and his tin ear for conversation. Even so, Bridges could not remotely have succeeded without engaging performances from Miss Hershey (the willful teen queen from Last Summer) and Sam Groom and Collin Wilcox-Horne...
...smile or describe dimensions with a move of his hand. Since he provided the driving force behind One-Eyed Jacks, of which he was both star and director in 1961, Brando has essayed a series of character roles in a succession of failures: a brooding cowpoke in The Appaloosa, a self-righteous sheriff in The Chase, a cagey con-man in Bedtime Story. Once again in a film good enough to match his talents, he demonstrates conclusively in Night that his powers remain undiminished by intervening years of sloppiness and self-indulgence. It is good to have him back...
...Science, Music and Art Organizations), which raised $162,000 at its auction last year, had no trouble disposing of 50 tons of orange-grove fertilizer and a $2,500 orange-grove sprayer. And in Phoenix this year, such items as hernia and cataract operations, stud service by a registered Appaloosa stallion, and an old covered wagon (donated by Barry Goldwater) brought in $246,000 to COMPAS (Combined Metropolitan Phoenix Arts...