Word: appealling
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...Gore's appeal to moderates, his easy rapport with black leaders, and the fact that he will be the only white Southerner with a bloc of delegates constitute a large pile of chips. Says Nathan Landow, a fund raiser who helped coax Gore into the race: "If he doesn't get the top spot, he is the obvious running mate for any Northerner under any scenario, including a late entry by Mario Cuomo. Al Gore would bring all the necessary pieces...
Gone now is the pretense that the G.O.P. combatants will abide by Ronald Reagan's cherished Eleventh Commandment: "Thou shalt not speak ill of fellow Republicans." With Iranscam taking some of the air out of his heir-apparent appeal, Bush must continue to prove that he can be a candidate of rough-and- tumble as well as resume. Dole's efforts to project smiling serenity never last long; his style is attack, and sarcasm his weapon. As a result, the race has become a sometimes angry clash of personalities...
Somewhat disingenuously, Lloyd Webber professes not to relish his new status, to be unaware of the impact his growing personal fame will have on his box-office appeal. "In the end," he insists, "it comes down to the quality of what you give them in the theater." So it does. And on that basis the canniest show composer of our time has long since confirmed his standing. But the sure-to-be-smash opening of Phantom will doubtless confirm something else too. The awkward London youth has grown up, conquered Broadway and become what he once only envisioned: Andrew Lloyd...
...compete with him? Charles Strouse has not had a hit since Annie (1977). Marvin Hamlisch's A Chorus Line is still strutting its stuff, but the show opened in 1975. Jerry Herman's 1983 cross- dressed love story La Cage aux Folles packed in the tourists, but its appeal came more from the frisson of seeing men in black lace and garter belts than from any of its songs...
...audiences, Lloyd Webber's appeal is beyond dispute. "He may not be Mozart or Beethoven to the Germans," says Edda Sels, press spokeswoman for the popular production of Cats in Hamburg, "but he can combine classical and popular music in such a way that it appeals to audiences who want both 'entertaining' and 'serious' music." Director Keita Asari, whose Shiki theater company, the largest in Japan, has staged Superstar, Evita and Cats, calls Lloyd Webber a "genius who unfolds melodies through various modes that somewhere reverberate classical music. That's the reason he is universally loved...