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Ellison said he did not know what punishment the students faced or whether they would appear before the Ad Board, but he acknowledged that the individuals had violated school rules prohibiting unauthorized students from using University facilities, including dorms and dining halls...

Author: By Eric P. Newcomer and Noah S. Rayman, CRIMSON STAFF WRITERS | Title: J-Term Squatters To Face Ad Board | 2/10/2010 | See Source »

...facilitate its exit. In fact, it is the domination of certain sports that often garner the most fanfare. For example, no story loomed larger in Beijing than Michael Phelps, the American swimmer who won the gold in all eight of his events. Removing him from the competition would rightly appear ludicrous, but it is the same logic that would mandate such a farce that results in the removal of whole sports...

Author: By Marcel E. Moran | Title: Whose Olympics Is It Anyway? | 2/10/2010 | See Source »

...Wolf” by filmmaker Caroline J. Leaf ’68. Leaf’s work is one of the earliest and best examples of the use of sand in animation, as she creates an ethereal, shapeshifting set of grainy black and white characters. Though its graphics appear rudimentary to today’s eye, Leaf’s film remains visually captivating. Leaf constantly recreates her characters’ forms, faces, and even species; in one scene, a wolf eats a bird that later morphs into an alternatively smiling and frowning moon...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

...Film Registry by the Library of Congress. Mouris’s film features two overlapping audio tracks: the filmmaker lists words beginning with the letter “F” while also telling his own life story. At the same time, an ever-shifting collage of magazine clippings appears on the screen. These stock images range from depictions of the Buddha to packs of cigarettes and appear in coordination with Mouris’s narrative. For example, when Mouris explains his middle and high school crushes, the screen fills up completely with drawings of eyes and lips...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

...Lisa,” there’s a science to da Vinci’s masterpiece that had yet to be fully explained. Analyzing the work in terms of its spatial frequencies, Livingstone revealed that the lower spatial frequencies, best seen by the peripheral vision, make the figure appear to smile, while at higher frequencies the smile almost vanishes. Laying one famous enigma to rest, however, calls up a host of other questions: what more can science uncover by turning its gaze on art­—or, conversely, what can art teach the scientists? And just...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: Painting Perception | 2/9/2010 | See Source »

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