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Word: appearently (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...magazine writers who make from $5,000 to $250,000 a year at their trade. Incorrigible highbrows criticize the Post's taboos (par for middle-class conception of decency anywhere), complain that in its non-fiction no intellectual rivers are ever set afire, in its fiction no Buddenbrooks appear among the Clarence Buddington Kellands. This is old stuff to Editor Stout's staff. Nowadays they respond simply by handing out a reprint of Bernard DeVoto's sensible piece on Writing for Money, printed in the Saturday Review last year...

Author: /time Magazine | Title: The Press: Inheritors' Year | 1/10/1938 | See Source »

...second Walter Winchell-Ben Bernie musical to appear, and as entertainment is superior to "Wake up and Live," although the music--"Sweet Someone," "I Wanna Be in Winchell's Column," "Darling, Jo Vous Aime Beaucoup," and others--may not have the appeal of "Never in a Million Years," and the title song of the previous production...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 1/10/1938 | See Source »

...added that "This is no time to make it appear that we are with-drawing any of our supports for the authority of our State and Nation...

Author: NO WRITER ATTRIBUTED | Title: HURLEY SEES TEACHERS' OATH AS INOFFENSIVE LEGISLATION | 1/6/1938 | See Source »

...Three Waltzes in this respect is singularly inoffensive. Its charm lies in tuneful music, ebullient singing and dancing, vivid staging. In a ballet school, with costumes after Degas, begins the luckless romance of the ballerina (Kitty Carlisle) and Count Rudolph (Michael Bartlett). In Paris of 1900 the same pair appear as another ill-starred couple, with the ballet converted into Toulouse-Lautrec girls doing a violent cancan. At last, in a contemporary cinema studio, the lovers, as descendants of their former selves, find their happy ending...

Author: /time Magazine | Title: Theatre: New Musicals in Manhattan: Jan. 3, 1938 | 1/3/1938 | See Source »

...Metropolitan Opera's current season Der Rosenkavalier and Roméo et Juliette have been billed as "revivals."' Yet neither had been absent more than three years from the repertory; Rosenkavalier had not even been newly staged. Last week a genuine revival finally did appear. Verdi's Otello, one of his last and greatest works, had not been seen & heard at the Opera House since the days when Toscanini conducted and principal roles were taken by dashing Leo Slezak, gossipy Frances Alda and drama-wise Antonio Scotti...

Author: /time Magazine | Title: Music: Met | 1/3/1938 | See Source »

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