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Word: appears (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...wish to appear to be overly inquisitive, but I would like to put a question to the reviewer of Smiley: Did he or did he not like the movie...

Author: /time Magazine | Title: Letters, Mar. 11, 1957 | 3/11/1957 | See Source »

Brennan's soft answer turned away no wrath: still determined to fight Brennan's Senate confirmation, McCarthy ranted away trying to make it appear that Roman Catholic Brennan was soft on Communism. Clasping his hands on the table in front 'of him, Brennan answered Joe's questions calmly. But even when Joe gave it up as a bad job, he could still fall back on the explanation he had made at the hearing's start: "I don't have any high hopes of being successful in opposition to Justice Brennan's nomination...

Author: /time Magazine | Title: National Affairs: Same Old Joe | 3/11/1957 | See Source »

Henry Morgan, who was scheduled to appear, could not be present. Capp thought this no great loss. S.J. Perelman was also absent. The other panelist was Alen "Candid Camera" Funt, who related humorous experiences. The moderator was James A. ("Red Mac") Maclachan, Professor...

Author: By Bryce E. Nelson, | Title: Capp on Politics Enlivens Forum; Vellucci Praised | 3/9/1957 | See Source »

Kollwitz's mounrful cries of "Bread," "Unemployed" or "Killed in Action" cease to have meaning. The same brooding line is repeated again and again only to appear arbitrary, in expression of similarly histrionics. Beckmann creates and maintains his impact with far greatr lucidity. "The People, Cafe" and "Society, 1915," coherently relate a tale of human confusion and shock, a state of mind which, fortunately, does not engulf the artist despite his intensity of conviction...

Author: By Lorenz Poppagianeris, | Title: War and the Arts | 3/9/1957 | See Source »

...indeed paradoxical that Kurt Schwitters, representing the Dada school, created in contemptuous revolt against established canons of aesthetics, should appear at Busch-Reisinger this month as a champion of those very values. Gathering bits and scraps of color and print in the form of collages, Schwitters manipulates a poetic play of shape and hue, charming, intimate, yet positive and aesthetically unequivocal. Paul Klee's lithograph, "Destruction and Hope," not his best in that form, sings out with more hope than destruction because it contains more poetry than pathos...

Author: By Lorenz Poppagianeris, | Title: War and the Arts | 3/9/1957 | See Source »

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