Word: appellant
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Some Glass Jars and Shifting: A solo performance with voice, glass jars and movement by a talented young dancer who emerges from Cunningham's non-literal dance experiments of the fifties. David Appel claims he's been a musician since the fourth grade, but says his real interest is the fine line between unconscious changes in movement and those made consciously. If nothing else, his two pieces should be a victory for sheer concentration as Appel winds his dances tighter and tighter and each movement appears as a completion of the one that came before. April...
...Appel also called John Hammond at Columbia. The call was Springsteen's idea, but the come-on was all Appel. He told Hammond he wanted him to listen to his new boy because Hammond had discovered Bob Dylan, and "we wanna see if that was just a fluke, or if you really have ears." Hammond reacted to Springsteen "with a force I'd felt maybe three times in my life." Less than 24 hours after the first meeting, contracts were signed...
Even before Springsteen's first album was released in 1973, Appel was already on the move. He offered the NBC producer of the Super Bowl the services of his client to sing The Star-Spangled Banner. Informed that Andy Williams had already been recruited, with Blood, Sweat & Tears to perform during half time, he cried, "They're losers and you're a loser too. Some day I'm going to give you a call and remind you of this, then I'm going to make another call...
Some loyalists at Columbia persuaded the company to cough up $50,000 to publicize the quote. Columbia's sudden recommitment caught Springsteen in a creative crisis. He and Appel had spent nine months in the studio and produced only one cut, Born to Run. The disparity between the wild reaction to his live performances and the more subdued, respectful reception of his records had to be cleared up. Landau soon signed on as co-producer of the new album and began to find out about some of the problems firsthand...
...this effort has suddenly paid off grandly, and madly, Springsteen remains obdurately unchanged. He continues to hassle with Appel over playing large halls, and just last month refused to show up for a Maryland concert Appel had booked into a 10,000-seat auditorium. The money is starting to flow in now: Springsteen takes home $350 a week, the same as Appel and the band members. There are years of debt and back road fees to repay. Besides, Springsteen is not greatly concerned about matters of finance. Says John Hammond: "In all my years in this business...