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Word: appia (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...things to come by serving as a highway commissioner. His job was to take care of the Appian Way, the great road that stretched from Rome to Brindisi on Italy's southern coast. Laid out in 312 B.C. and already famed in Caesar's day, the Via Appia became known, in the centuries that followed, as the Queen of Roads. Many a victorious Roman legion marched homeward in triumph along its stone paving and over its skillfully engineered bridges. Wealthy Romans built their most sumptuous villas and tombs along its right of way. Along the same road...

Author: /time Magazine | Title: ITALY: Road from the Past | 1/17/1955 | See Source »

...better-than-average Italian films. But the higher, she goes, the harder Gina has to work. She and Mirko have formed three corporations to handle her career and investments, and they have permitted themselves only two extravagances: a glaring red Lancia Aurelia and a pink stucco villa on Via Appia Antica, right next door to the place where the Empress Poppaea used to take her daily bath in the milk of 300 asses. They have planted 300 trees on the grounds, laid out broad English lawns, strewn the area with ancient paving stones and 3rd century sarcophagi. As she surveys...

Author: /time Magazine | Title: Cinema: Hollywood on the Tiber | 8/16/1954 | See Source »

Jacques de Menasce: Piano Concerto No. 2 (Vienna State Opera Orchestra conducted by Edmund Appia and the composer at the piano; Vanguard). Like Paganini and Liszt, Composer de Menasce writes his own showpieces. If not exactly a world-shaker, this one is able, sophisticated and full of pianistic beans...

Author: /time Magazine | Title: Music: New Records, Feb. 22, 1954 | 2/22/1954 | See Source »

Jones is the most important designer, not only of the three, but of the entire American theater. Influenced directly by Gordon Craig's "new stagecraft," and indirectly by Adolphe Appia's theories of light, Jones designed a production of "A Man Who Married a Dumb Wife" in 1915. Instead of using stained glass and gothic arches to indicate a medieval scene, Jones symbolized the spirit of the play with light frame construction and cheerful primary colors. Historical accuracy was unimportant; in its place Jones put his own, highly personal, response to the play...

Author: By Stephen O. Saxe, | Title: ON EXHIBIT | 10/18/1950 | See Source »

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