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Both speakers were well received, and several members of the audience rose to applaud Coles...

Author: By Philip Weiss, | Title: Penultimate Rites Celebrated | 6/11/1975 | See Source »

...based not on ideology but on pragmatic self-interest. The U.S. goal had always been to oppose Communism everywhere it was encountered, from the Congo to the Mekong Delta. But now Americans were asked to accept a baffling inconsistency in their nation's policy: to support and even applaud detente with the Communist superpowers on the one hand while continuing to fight Communist insurgencies in different parts of the world...

Author: /time Magazine | Title: Time Essay: THE U.S. CANNOT LIVE IN ISOLATION | 4/7/1975 | See Source »

...most familiar legs of the tour-Damascus and Aswan-arrivals and departures have by now become routine. In Jerusalem, on the other hand, Kissinger delights in the flock of excited American tourists who gather in the King David Hotel lobby to applaud and snap his picture. He has become such an attraction there that before the latest shuttle, the hotel's management wrote a pleading letter asking him not to carry out "an act of aggression against the King David" by switching to the newer Jerusalem Hilton. With enough aggression to deal with already, Kissinger acceded...

Author: /time Magazine | Title: The World: The Shuttle Deus and His Machina | 3/24/1975 | See Source »

...Kissinger was looking forward to his return this week to the Middle East and one possibly final try at working out a lasting settlement between the Israelis and the Arabs. The Secretary nowadays is much more confident on the road than in Washington. Crowds gather in hotel lobbies to applaud his entrance. Heads of state trust him and welcome the very personal, secretive brand of diplomacy that is under attack at home...

Author: /time Magazine | Title: THE CONGRESS: Diplomacy Begins at Home | 3/10/1975 | See Source »

...hourglass motif is visible in the Johan-Marianne relationship. The sands of power, all his at the film's beginning, are all hers at the end. Women's libbers will probably applaud, but Bergman is less concerned with the inequality of the sexes than with the inequity of the cosmos. He seems to see the love of men and women as a metaphysical surrogate for the absence of God and God's love. It is clearly an incommensurable task. But who could better symbolize the desperate gallantry of the venture than Liv Ullmann, the orchid...

Author: /time Magazine | Title: Cinema: A Season in Hell | 9/30/1974 | See Source »

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