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...London townspeople first saw her three-year-old Yerma, a grim study of wifely frustrations, some were not sure how they liked it. Valerie's angular movements seemed almost as if they had been laid out with a carpenter's rule. Later, most found it easier to applaud her powerful adaptation of William Faulkner's As I Lay Dying...

Author: /time Magazine | Title: Music: Out of the Woodshed | 8/29/1949 | See Source »

...Angeles, some camera stores were lending cameras to anyone who would buy film. When customers call for their prints, the stores give them a friendly sales talk, applaud the good shots, constructively criticize the poor ones, often talk them into buying cameras...

Author: /time Magazine | Title: SELLING: Warming Up | 8/22/1949 | See Source »

...What makes these great clowns is this combination of fun and fantasy with something else, a mixture of worldly wisdom and naïveté, of experience but also of an innocence never altogether lost, of dignity and absurdity together, so that for a moment we love and we applaud mankind...

Author: /time Magazine | Title: People: People, Jul. 4, 1949 | 7/4/1949 | See Source »

...satisfying score, written in eight days, did not slow it down. Most popular chorus: the Night Song, in which the audience is divided, for singing purposes, into owls, herons, turtledoves and chaffinches. After they had joined gleefully in the final Coaching Song, there was nothing left to do but applaud themselves and the opera's makers. Curly-haired Composer Britten and Librettist Eric Crozier (who also wrote the book for Britten's third successful opera, Albert Herring*) had to take a dozen curtain calls...

Author: /time Magazine | Title: Music: How to Make an Opera | 6/27/1949 | See Source »

Opening nights, with all of their fuss & feathers, were traditionally no fair test of the Met's ability. As the week wore on, critics found some things to applaud more heartily: the season's first Götterdammerung, the sound and spirit of Conductor Wilfred Pelletier's orchestra in Mignon, Cloe Elmo and Jussi Bjoerling's Il Trovatore, and the excitement of Tenor Ferruccio Tagliavini's L'Elisir D'Amore...

Author: /time Magazine | Title: Music: Curtain Up in New York | 12/13/1948 | See Source »

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