Word: approach
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Dates: during 1960-1969
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...Staff. Did that signal a shift in the Administration's conduct of the war? Poverty Czar Sargent Shriver, brother-in-law of Bobby Kennedy, was off to Paris as the new U.S. Ambassador to France. Did that signify a move to weaken the Kennedy forces, a new American approach to the intractable Charles de Gaulle, a fresh approach to the war on poverty, or all of them? Wilbur J. Cohen, a Washington veteran dating back to the early days of the New Deal, was becoming the new Secretary of Health, Education and Welfare. Did that presage a new emphasis...
Indjic's prospects for the future are limited only by his ability to grow. His ingenuous approach to performing saved this evening from pretension, the most outrageous of concert hall sins...
This is a practical approach to a practical problem. At times, however, it sounds more as if he were proselvtizing a new religion than discussing a social problem. He told a Harvard audience last Friday, "The most important element of all, and something that makes natural beauty worth being concerned about, is life--the unbroken living chain that extends back to the origin of life on earth. From a long-ago beginning down to each of us here, it has never failed to reproduce itself well." The concept of "organic wholeness" is more than just an observation...
...will be "an approach for students already concerned with literature," Thomas A. Stewart '70, Advocate president, said yesterday. He said that members of the Advocate, who are seriously interested in literature, would be good critics of English and related courses for other serious students...
...mixed bag and the sum total of Babe's ideas can only bring us to Coriolanus. Babe opts-out of the traditional director's game of characterizing Coriolanus by motivating his inability to humble himself before the plebeians. Corresponding to his entire approach, Babe emphasizes diverse characteristics of the man as situations arise. Strongest seems a perverse sense of humor: Coriolanus smiles and waves goodbye when he leaves Rome, as if he were leaving for summer camp. Tom Jones is neither larger-than-life, like Olivier (Stratford, 1960), or rich and petulant, like Ian Richardson (Stratford, 1967), and relies heavily...