Word: approach
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Dates: during 1960-1969
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...blamed for destroying a cinema whose method and meaning depended on those sensibilities. The violent attacks on the audience through presenting raw events, the meaninglessness of characters' actions, the blatant anti-capitalist propoganda of Weekend do not show Godard committing cinematic suicide. His integration of subject matter and approach demand this treatment. To critics who see Weekend as the end of the line, one must mention Les Carabiniers, a film that uses moral imbeciles in just the same way to attack war. Its events are as senseless and brutal; its plot as much as skeleton device that barely holds...
...designates him simply as "Boy," the program calls him "Davy," through Davy in 2 Henry IV was Justice Shallow's servant and not Falstaff's). When the Boy is left alone with a field of corpses, he slowly wanders about, deeply, shaken and unhardened by his hands. Espying the approach of two enemy French soldiers, he scampers up the jungle-gym. But the soldiers pursue and overtake him, coldly spear him, and depart leaving one more corpse on the silent stage. None of this is specified, but it is deeply affecting...
Once the Queen arrives, she will direct that the Prince be summoned. He will approach, wearing a mantle of velvet trimmed with ermine over his blue uniform as Colonel-in-Chief of the Royal Regiment of Wales. As Charles kneels before Elizabeth, the Letters Patent of investiture will be read, first in English and then in Welsh. The Welsh rendition is an innovation aimed at placating Wales' tribal sensibilities. While the Welsh is being intoned, the Queen will present Charles with a sword, place a coronet on his head, slip a gold ring on his finger and hand...
Menace and Threat. The success of "As I See It"-and of the previous Children's Theater productions-stems from an approach that is all too rare in children's programming: "Treat children as people," says Executive Producer George Heinemann, "and everything else will fall into line," Too many children's shows, he believes, are based on an adult's idea of what a child wants to see. They use the "age-old format of menace, threat, the chase and lots of action accompanied by noise to hold the youngsters' attention." The problem, he says...
...same sense of black pride is found in the slogans of Howard Sanders, a former radio executive who opened his own agency on Madison Avenue in 1966 and now bills $1.5 million. His frank approach is illustrated by a campaign to present R. J. Reynolds Tobacco Co. to the black community. One picture shows a Negro in a white shirt and necktie adjusting a complex piece of laboratory equipment. The caption: "What's Franklin Weaver doing in our chemical plant if he's not there to sweep?" It would be difficult for a white agency...