Word: approoutset
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Dates: during 1960-1969
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...have each of the three scenes introduced by movie projections on a lowered screen effectively points up the satirical aspect of the play. There are crazy title credits worthy of Saul Bass, a flower-watering take-off on the silent cinema, and even a cross-eyed Mona Lisa. Approoutset with a Weillanously blasphemous parody of priate background music has been concocted by Robert Prince, who strikes the right note at the Rossini's Stabat Mater (which is, indeed, blasphemous even in the original), and later summons up remembrances or Mendelssohn's Spring Song and the concluding fanfare of Paramount newsreels...
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