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...anachronistic family of plutocrats (David Wayne and Hermione Baddeley). The plot smacks of those 1930s films that had fun with the Depression. Teddy Bears attempts to cash in on the nostalgia binge for the by-now-boring '20s, playing the gangland speakeasy scene for slapstick laughs. An apter title for this show would be The Unwatchables...

Author: /time Magazine | Title: Television: The New Season: II | 10/4/1971 | See Source »

...apartment and unwittingly caricature their own fallibility as spouses. ABC was shrewd enough to cast Jack Klugman, the only possible substitute for Walter Matthau, as the slovenly sportswriter. This time around, his fastidious roommate is played by Tony Randall who, if not up to Broadway Predecessor Art Carney, is apter than Hollywood's Jack Lemmon. Pray for Simon's babies...

Author: /time Magazine | Title: Television: No. 3, and Trying Harder | 10/5/1970 | See Source »

...current Adams House production definitely takes up Maral's revolutionary standard, but this is almost by default. Sade is very poorly played, and lacks any emotional definition. Andrew Apter gambols through all of Sade's lines, including descriptions of unimaginable tortures, with the same cherubic smile. John McKean is better as Marat, but he too fails to give much emotional content to his character's "persecution and assassination." McKean is in "real life" a member of the Worker-Student Alliance, and may have purposely shied from developing the ambiguities and existential isolation that Weiss wrote into the character. As with...

Author: By David R. Ignatius, | Title: The Theatergoer Maral/Sade Thursday through Saturday at Adams House | 4/28/1970 | See Source »

...David Apter, chairman of the International Department, University of California at Berkeley, and Frank Mankiewicx, director of Peace Corps programs in Peru, will also participate...

Author: NO WRITER ATTRIBUTED | Title: Shriver, Monro to Air Views On Peace Corps Controversy | 3/8/1962 | See Source »

...though Juno has more memorable characters and richer comedy, its tragedy is dented with willful, stagy melodrama, where in The Plough and the Stars, tragedy and comedy are locked in an unshatterable embrace. In The Plough O'Casey found, if no better materials for tragedy, then an apter moment. Under the stress of turbulent historic events, amid the gunfire and bloodshed of the 1916 Easter Rebellion, O'Casey could release his anger and compassion alike, could expose the failings of his compatriots in the very act of exhibiting the fortitude. The immemorial heartbreak of For men must work...

Author: /time Magazine | Title: The Theater: Old Play Off-Broadway, Dec. 19, 1960 | 12/19/1960 | See Source »

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