Word: apu
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Dates: during 1960-1969
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...World of Apu. Satyajit Ray completes his uncompromising and unadorned naturalistic trilogy about Indian life, giving proof that he has risen to a control of the film medium that places him among the best directors in the world...
...World of Apu. The third, last and most striking section in the trilogy of Indian life by Satyajit Ray brings its hero to marriage and deeper tragedy than either Pather Panchali or Aparajito, the first two parts, making it the moving culmination of a naturalistic film masterpiece...
...World of Apu. The third, last and most striking section in the trilogy of Indian life by Satyajit Ray brings its hero to marriage and deeper tragedy than either Father Panchali or Aparajito, the first two parts, making it the moving culmination of a naturalistic film masterpiece...
...World of Apu. Actually titled Apur Sansar, this is the third part of Indian Director-Producer Satyajit Ray's vital and abundant trilogy that began with Father Panchali and continued with Aparajito, now brings its hero to marriage and eventual confrontation with tragedy...
...piece of craftsmanship, The World of Apu is the finest film of the three. Director Ray, who had never turned a camera before he started shooting Father Panchali, began his trilogy with incredible strokes of beginner's luck, but he ends it with deliberate mastery of the medium. He has superb control of his camera. His images are continuously beautiful but never obtrusive; they rise out of the story as naturally as thoughts rise out of the pool of Vishnu-there is nothing arty in Ray's art. By the same token his actors act, not with...