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Word: aquarius (lookup in dictionary) (lookup stats)
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...chilly on the Capitol steps; a few too many speeches, the crowd starts to drift away. So the organizers pull their trump card, the cast of Hair, and for a few minutes everyone dances and sings, believes for five minutes that this is going to be the age of Aquarius...

Author: By William E. Mckibben, | Title: Revolution Number Ten | 4/3/1980 | See Source »

Mailer is the last and no doubt the most intelligent participant in the complicated travesty of Gilmore's death. The writer has mobilized a shrewdness to match Gilmore's own punkish daring and jailhouse self-abnegation. Old Aquarius has silenced his bustling, manic, intrusive voice. His prose in this thousand-page trek is a Conestoga of American plain style: it is banal, idiomatic and somehow grainy, like the scenes in 1950s pornographic films in which the characters meet and part like neighborhood dogs, the men never taking their socks...

Author: /time Magazine | Title: Books: Doom as Theater | 10/22/1979 | See Source »

When Hair the play opened in Los Angeles about 11 years ago, the Aquarius theatre's exterior wall faced the parking lot muraled in a spiralling Beardsley-style medley of psychedelic colors and stereotyped figures on their way to Woodstock. That was when we were in the midst of Vietnam, Chicago 7, Timothy Leary and Hare Krishna. The play poked fun at everyone, including its own heroes to some degree, but some earnest zeal and anger permeated, betraying a sympathy with the movement. Fortunately, the movie is handled with humor and a light easygoing attitude which circumvents the cringing prospect...

Author: By Oren S. Makov, | Title: Blow-Dried and Fluffy | 4/25/1979 | See Source »

...return, they let him know where they're at through the first dance sequence, Aquarius. The number, like all the rest, is infectuously buoyant. The camera unerringly swoons and follows the gliding choreography by Twyla Tharp: the film's greatest asset. Avoiding cute, stagey, Broadway production-type dance, Twyla Tharp has given new hope to musical choreography. The movements flow naturally; instead of watching a static dance number, we are taken by the camera into the movements, intrinsically swaying with them...

Author: By Oren S. Makov, | Title: Blow-Dried and Fluffy | 4/25/1979 | See Source »

Milos Foreman, the Czech director, makes it all very lighthearted and a bit absurd. There is a fantastic equestrian dance sequence in the Aquarius number where two mounted police stallions do a perfectly synchronized two-step...

Author: By Oren S. Makov, | Title: Blow-Dried and Fluffy | 4/25/1979 | See Source »

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