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...power became an indigenous one in short order, although the successive caliphs tended to retain a nostalgia for Baghdad. Out of the Moorish conquest grew the first unified culture Spain had seen since the collapse of the Roman Empire. It lasted until 1492, when Catholic armies, under Ferdinand of Aragon and Isabella of Castile, drove the last vestiges of Arab power back to North Africa. If you want to grasp why Spain, traditionally, is unique in Europe, you must begin with the fact that no other European country was so permeated -- in language, customs and cultural forms -- by Islam...

Author: /time Magazine | Title: Art: When Spain Was Islamic | 7/20/1992 | See Source »

...audience is treated to humorous performances by both the Prince of Aragon (Jeremy Nye) and the Prince of Morocco (Danny Shivakumar), as they fail to win Portia's hand. Shivakumar displays a wonderfully cheesy attitude--he's self-confident to the point of parody. Nye is effective in the role of the Prince and plays the part with more than a touch of contempt for Portia, essentially telling her that she would be lucky to have him. Nye is actually more memorable in his other role as Launcelot Gobbo, Shylock's Falstaffian servant...

Author: By Ross I. Daniels, | Title: Demanding A Pound of Flesh | 10/31/1991 | See Source »

...Catholic faith during the 16th century. On the other hand, More stood as a righteous servant to the king. Serving as Lord Councillor to Henry VIII, the staunchly Catholic More was able to remain in favor with the Crown. Not even the king's divorce from Catherine of Aragon and subsequent formation of his own Church of England fazed the ever-loyal servant...

Author: By Esther H. Won, | Title: More Than a History Lecture | 3/17/1989 | See Source »

...been asked, amid the intellectual and political convulsions that tore Spain asunder between 1790 and 1815, "Whose side are you on?", he would have answered, "Reason's." For Francisco de Goya y Lucientes, the gilder's son from Aragon, did not have the education of a Diderot or a Rousseau, but he was completely a figure of the Enlightenment; his paintings and prints, with their obsessive imagery of the conflict of light and darkness, are perhaps its supreme metaphorical expression in European art outside of the classically formalized work of Jacques-Louis David...

Author: /time Magazine | Title: Art: Goya, A Despairing Assault on Terminal Evil | 1/30/1989 | See Source »

Directors like Berlanga, Saura, and Aragon were able to produce monumental works despite the constraints of censorship during the Franco...

Author: By Melanie R. Williams, | Title: Films that Flouted Franco | 9/30/1988 | See Source »

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