Word: arata
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...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, James Elsis, Carol March (Designers); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Stefano Arata, Joseph Aslaender, David Drapkin, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
...Nigel Holmes (Executive Director); Dorothy D. Chapman, Anthony J. Libardi, Irene Ramp (Deputies); Arthur Hochstein, Renee Klein, Leonard S. Levine, Billy Powers, Barbara Wilhelm (Assistant Directors); Carol March (Designer); Nickolas Kalamaras Layout: Steve Conley (Chief); John P. Dowd (Deputy); Angel Ackemyer, Stefano Arata, Joseph Aslaender, David Drapkin, James Elsis, Jay Petrow, Nomi Silverman, Kenneth Smith, Eugene Tick Maps and Charts: Paul J. Pugliese (Chief); Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...
Thus MOCA is the red cherry atop a huge and ugly sundae of realty speculation. But the building itself, designed by Tokyo-based Arata Isozaki, is a triumph, perhaps the most thoroughly felt new museum to rise in an American city since Louis Kahn's 1972 Kimbell Art Museum in Fort Worth. Its chief exhibition spaces are under the courtyard level, lit from above by beautifully proportioned groups of pyramidal skylights. In this way Isozaki has made the subtlest possible use of Los Angeles' main natural asset, its clear and candid light. No architect in America, not even Kahn himself...
...long, low winery is somewhat reminiscent, in fact, of the Japanese Arata Isozaki's work. Isozaki's first major commission in the U.S., the Museum of Contemporary Art in downtown Los Angeles, evokes a dreamy pre-Columbian (or extraterrestrial) temple. The exterior is rich and singular: roughly cut red sandstone blocks, green aluminum panels, a barrel vault floating above the ; sidewalk. Inside, only the library, with its extraordinary white onyx window, is architecturally aggressive. The seven scrupulously conceived galleries are restrained, plain, deferential...